Lifestyle
2018 – The Year in Review
NEW ORLEANS DATA NEWS WEEKLY — 2018 was an unprecedented year, filled with turmoil, intrigue, disbelief and disturbing news headlines that dominated conversations across the country.
Published
7 years agoon
By
Oakland Post
By Data News Weekly Staff
2018 was an unprecedented year, filled with turmoil, intrigue, disbelief and disturbing news headlines that dominated conversations across the country. For many, the actions and statements of President Donald Trump and his administration, have caused sleepless nights and anxiety as citizens hold their breath, waiting for the next shoe to drop; and for some sort of resolution to what once seemed unimaginable. As we move into 2019, the chaos has continued, and the nation continues to hold it’s breath as we continue to experience the saga of the Trump Administration.
However, on the brighter side, instead of sitting idly by, the citizens of the United States, mounted a movement. Not content to sit it out or throw in the towel, millions of voters, across the country, found their voices, and moved in masse to the polls during the 2018 Mid-Term elections. The results were resounding as the nation moved to overturn the unified Republican government that was. And, instead, elected a Democratic majority in the US House of Representatives, poised to return oversight and accountability to the government.
Jan 13
The City of New Orleans is a place with a rich and colorful history that’s spanned 300 years. One of those who have contributed to the legacy of this Great Historical City is the Queen of Creole Cuisine, Leah Chase, who recently celebrated her 95th birthday on January 6, 2018 at the Downtown Hyatt Regency New Orleans surrounded by family, friends, leaders from the civic and business community and other well-wishers. The proceeds from the gala supports the Edgar “Dooky” Jr. and Leah Chase Family Foundation. That’s dedicated to cultivate and support historically disenfranchised organizations by making significant contributions to education, cultural arts and social justice. Data News was at this amazing event honoring one of our local treasures that’s given the gift of our culture, flavor and the recipe for a great and inspiring life and sharing it with the world.
Andreanecia Morris, President of the Greater New Orleans Housing Alliance (GNOHA) is one of many who is on the frontlines of the fight for fair housing in New Orleans. Morris is leading the Housing First Campaign that’s goal is to secure the commitment of 80,000 registered voters to support GNOHA’s advocacy efforts and the implementation of the 10-Year HousingNOLA Plan. That can ensure that city leaders will prioritize safe, affordable, healthy housing for all in New Orleans. They are asking people to sign up and get involved and support candidates and hold elected officials accountable who will help residents stay in our neighborhoods and make them better; help citizens of New Orleans live close to good jobs and use tax dollars collected to make communities strong. Speaking of the Housing First Campaign she says, “We are pushing our Housing First Campaign because every time we vote or make a decision you have to put housing first. That doesn’t mean ignoring the other issues; the City Council is working to approve a Masterplan and we have made suggestions and the one we are going back and forth about is giving people a chance to live in neighborhoods that are closer to where they work that are affordable. We are in the greatest housing crisis post-Katrina as it relates to affordable housing.”
The Crescent City has just finished the Carnival Season, with its many balls and parades bringing people from across the globe to explore the spectacle and splendor that is the Big Easy.
We at Data News Weekly would like to briefly explore some of these great traditions.
They marched in Mardi Gras as early as 1901 but made their first appearance as the Zulus in 1909. Their original routes were through the Black neighborhoods of New Orleans. Today they have a route that goes through both African-American and the traditional route along St. Charles Ave. where their beads and customized painted coconuts are highly sought after by people of all races.
Throughout the years, the women expanded their group, possibly becoming the first women’s organization in the Mardi Gras celebration. Their styles then varied, even being dressed as actual babies, or baby dolls, depending on the group.
The Black Masking Tradition (Mardi Gras Indian) is as old as the City itself beginning in 1718. As slavery spread slaves began to escape and found refuge with the indigenous people. They eventually begin to intermarry and form communities. The Africans who were already masking integrated some of the native people’s traditions with their own to create what is known as the Black Masking (Mardi Gras Indian) Tradition.
Data News Weekly and its community partner Cumulus Radio, were on hand for the event. 102.9 Radio Personality Downtown Leslie Brown telling Data’s Glenn Jones on the red-carpet of the significance of Black Panther the movie in inspiring a community of young people, “As a Black woman with a Black son and Black daughter they need to see more positive role models.”
On March 24, fifth-grader Naomi Wadler was onstage speaking at the March for Our Lives in Washington, D.C. During her three-minute speech, she spoke decisively about the lack of sustained media attention that Black women and girls receive when they are impacted by gun violence. “I represent the African-American women who are victims of gun violence, who are simply statistics instead of vibrant, beautiful girls full of potential,” she said. “I am here to say never again for those girls too.”
Her speech was quickly circulated online, earning her fans like Sen. Kamala Harris, Shonda Rhimes, Tessa Thompson and Ellen DeGeneres. In the weeks following her launch into the national conversation, she says the whole experience has been “weird,” but was still ready to use her new platform to give journalists some strong advice.
“The media can pay attention; I feel that a lot of them are very ignorant,” she said, stressing that this ignorance is particularly clear when it comes to white journalists perpetuation racial stereotypes about Black and brown people. “It’s the racial imbalance in the reporting that starts a chain reaction where then, other people start to believe that.”
A Montgomery County jury last Thursday, found comedian Bill Cosby guilty on all three counts of aggravated indecent assault in the case involving Andrea Constand, a former Temple University employee, who sought career advice and friendship from the entertainer.
Cosby, 80, faces up to 30 years in prison. Several television analysts questioned the verdict. Lawyer and famed CNN legal analyst Joey Jackson, who before the verdict said the case should have been declared a mistrial, said after the decision that Cosby’s team has “many grounds for appeal.” He said he was stunned by the verdict as well as the swiftness in which the jury delivered it.
“Certainly, the prosecution put up vigorous case … but I thought the defense did a significant job of discrediting Andrea Constand giving the jury an indication that there was a number of lies she told over a period of time,” Jackson said.
On May 7, 2018 history was made as New Orleans inaugurated its First Female Mayor LaToya Cantrell. Data News Weekly had the opportunity to conduct an exclusive interview the new mayor on the eve of her big day about her feelings of being elected mayor and her vision for the City. In addition, Data News Weekly attended Cantrell’s swearing in and the Mayor’s Ball later than night.
Her Inaugural Address was emotion filled, at times, as she surveyed the to-capacity crowd where former mayors, elected officials, family and friends and supports came out to witness and support her on this historic day. Some wept visibly proud and overwhelmed that the City elected its first female mayor. That the City had overcome and torn down another barrier and that they were witnessing the dawning of a new age.
Her voice ringing in a triumphant tone Cantrell said, “We broke every kind of glass ceiling and color line and old outdated rule about who the mayor is supposed to be.” And anyone familiar with the history of New Orleans where issues of race, privilege and colorism among Blacks were often determining factors of who should lead the City.” She addressed this issue head on as well saying, “What we have done in this election is we have changed people’s ideas about what the mayor is supposed to look like or where he was supposed to be born,” proclaimed Cantrell who came from Los Angeles to New Orleans as a student attending Xavier University and since then has made this her home building her career and family in the Crescent City.
Librarian of Congress Carla Hayden moderated the conversation with former First Lady of the United States Michelle Obama during the Opening General Session of the American Library Association (ALA) Annual Conference and Exhibition Friday, June 22nd. This session took place at the Ernest N. Morial Convention Center in New Orleans.
Hayden and Obama ended the opening program with an in-depth conversation around Obama’s forthcoming memoir “Becoming” (Crown Publishing Group) to be released in November of 2018. The book focuses on the experiences that have impacted her life, her family and the country.
Hayden, a phenomenal woman in her own right is the first woman and the first African-American to lead the Library of Congress. She was nominated to the position by President Barack Obama in February 2016, and her nomination confirmed by the U.S. Senate in July 2016.
Obama’s memoir will be published in the U.S. and Canada and in 25 languages around the world. The book invites readers into her world, chronicling the experiences that have shaped her, from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work to her time spent at the world’s most famous address.
As Attorney General Jeff Sessions and Federal Department of Homeland Security (DHS) Secretary Kirstjen Nielsen speak across town at the National Sheriffs convention, the City Council President and Vice President’s office filed a joint resolution for Thursday’s full Council meeting demanding an end to the un-American and inhumane DHS policy of forcibly separating immigrant children from their parents.
“I will continue to publicly condemn the Trump administration and Attorney General Jeff Sessions’ enforcement of their new immigration policy to separate families,” said Council President Jason Williams. “Forcibly separating children from parents as a matter of course is inhumane and unnecessary, and as an African American and a descendant of American slaves, this policy is evocative of some of darkest days in this country’s young history. This policy is truly self-inflicted wound, and like many we have seen from the current administration, is antithetical to American values and basic humanity.”
The resolution calls for an end to this policy and immediate reunification for those children separated.
For those who crossed paths with this native of New Orleans, hailing from the 7th Ward experienced a man who represented the best of what the City has to offer pouring from his cup into others and inspiring them to greatness. After graduating from Xavier University in 1965 he worked tirelessly as an English Teacher at his alma mater St. Augustine where he led the alumni association before founding the Cornerstone Club, where graduates over the years would maintain their ties to the purple and gold contributing resources to continue its mission teaching young men; and giving them the tools to become leaders in many fields of endeavor not just in New Orleans but across the nation.
Paul Beaulieu was also one of the pioneers in the field of journalism, breaking barriers and giving African-Americans a larger voice in media. Writing an opinion column for one of the daily newspapers, “The States-Item.” In addition, he started his own newspaper, “The Spectator News Journal” he also was the host a Public Affairs Program called “Dimensions.” Later in his career he would serve as the co-host of the popular TV Program “Between the Lines” with fellow St. Aug Alum and community advocate Lloyd Dennis. Then he lent his voice to WBOK AM-1230 where he would have a top-rated show and later serve as the Station’s General Manager before retiring in 2015 with one of his last interviews being the present New Orleans Mayor LaToya Cantrell.
Louisiana Voters Have a Chance on Nov. 6th to Change Controversial Split Verdict Law
As the citizens of New Orleans head to the polls on November 6th the weight of history hangs in the balance. Unlike other elections this one goes beyond voting for those who would hold various elected offices. This election has on the ballot one of the most important and impactful issues that affect disproportionately effect on African-Americans.
Controversial Split Verdict Law (Non-Unanimous). Proposed Constitutional Amendment 2 reads, ‘Do you support an amendment that require a unanimous jury verdict in all non-capital offenses that are committed on or after January 1, 2019.’
Oakland Post
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Activism
Oakland Museum Presents Landmark Retrospective Celebrating Beloved Bay Area Artist Mildred Howard
“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.
Published
5 days agoon
June 24, 2026By
Oakland Post
Special to The Post
The Oakland Museum of California (OMCA) opened “Mildred Howard: Poetics of Memory,” the first major museum survey of Bay Area artist Mildred Howard, on June 12.
The exhibition spans five decades of Howard’s influential work, bringing together immersive installations, found-object sculptures, archival materials, and new commissions that explore memory, identity, and power in American life.
“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.
Howard was born in San Francisco in 1945 and raised in the East Bay, where she went on to study Afro-Haitian dance, make and sell clothing, and experiment with collage and sculpture.
Her multimedia art practice emerged from these experiences, later becoming associated with West Coast conceptual art, San Francisco funk, and a vibrant community of artists like Oliver Jackson, Betye Saar, and Raymond Saunders. Since the 1970s, she has used found materials and family stories to explore memory—both individual and collective.
At OMCA, visitors enter “Poetics of Memory” through a series of intimate galleries featuring Howard’s early mixed-media pieces and sculptures, along with a large video projection of a number of her public artworks.
Together, they emphasize Howard’s interest in everyday objects as powerful carriers of individual and shared stories. Highlights include collages that remix images of the artist herself; found-object sculptures like The History of the United States with a few Parts Missing (2007) that address omissions in dominant narratives; and public works like “Locks and Keys for Harry Bridges” (2001) that transform urban space into a meditation on access and labor.
This culminates in a richly detailed “studio” environment, where works in progress, archival exhibition flyers, historic photographs of Howard and her community, postcards from fellow artists, and other materials offer insight into her creative process and daily life.
The exhibition then opens into a high-ceilinged, dramatically lit space that brings together Howard’s signature immersive installations. On one end, “Crossings” (1997/2026) – a field of hundreds of ceramic eggs leading to an ornate mirror – suggests cycles of birth, motherhood, and transition, while drawing on the emotional echoes of the Middle Passage. On the other end, “Blackbird in a Red Sky” (a.k.a. “Fall of the Blood House”) (2002) – a red glass shack bordered by a pond – also uses reflection and transparency to draw viewers into the work and prompt consideration of themes of identity and home.
Howard’s newest video installation, “Moving Stills” (2026), repurposes never-before-seen family footage she took as a teenager on a train trip to the American South. Projected onto cascading layers of translucent fabric that stretch across an entire gallery wall, the piece immerses viewers in a layered meditation on memory, migration, and time.
The “Mildred Howard: Poetics of Memory” exhibit will be on display through Oct. 11 at the Oakland Museum of California, 1000 Oak St., Oakland, CA 94612. Museum hours are Wednesday through Sunday, 11 a.m. to 5 p.m., with extended hours on Fridays to 9 p.m.
This story is sourced from the Oakland Museum of California press office.
Oakland Post
Alameda County
Ferry Fares to Increase July 1 as Ridership Hits Record Highs
The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.
Published
5 days agoon
June 24, 2026By
Oakland Post
By Mike Aldax, The Richmond Standard
Starting July 1, the standard adult fare for the San Francisco Bay Ferry route between Richmond and San Francisco will increase to $5.20, up from the current $4.90.
Discounted fares for eligible passengers, including youth, seniors, people with disabilities, and Clipper START users, will rise to $2.60 from the current $2.40. Children under 5 will continue to ride for free.
The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.
The adjustments are part of a systemwide fare update approved by the agency’s Board of Directors, which is moving away from a flat 3% annual increase to route-specific pricing for the 2027 and 2028 fiscal years.
This fare update arrives as San Francisco Bay Ferry celebrates a historic May, transporting 301,270 passengers. The record-breaking figure represents an 8% increase over May 2025 and marks the third consecutive month of record-setting ridership.
Furthermore, it is the sixth month in a row that passenger numbers have exceeded pre-pandemic levels. Weekend travel has been a primary driver of this growth, with average weekend ridership seeing a 56% increase compared to pre-pandemic trends.
The agency states that the fare adjustments are necessary to ensure the long-term fiscal sustainability of public ferry services. By shifting to route-specific adjustments, the agency aims to offset rising operating costs while maintaining the high levels of service frequency and reliability.
Oakland Post
Arts and Culture
IN MEMORIAM: Oakland Dance Legend Reginald Ray-Savage, 67
Savage lived his life as tribute to the teachers who had shared their wisdom on art and life with him. With a palpably genuine enthusiasm and desire to bring out the best in people, and pass the torch to the next generation, he poured into his students, as his teachers and mentors had into him. His infectious energy, love of life, and generosity of spirit inspired countless souls, both inside and outside the dance studio.
Published
5 days agoon
June 24, 2026By
Oakland Post
Special to The Post
Reginald Ray-Savage – dancer, choreographer, and beloved teacher, mentor, and inspiration to many – passed away on May 17. The Oakland School for the Arts dance instructor was 67.
Born Reginald Ray, Jr. in St. Louis, Missouri, on Sept. 5, 1958, he formally adopted the name ‘Savage,’ to honor the great Archie Savage, his mentor at Katherine Dunham’s Performing Arts Training Center where his dance training journey began in East St. Louis, Illinois.
He soon started dancing professionally with Katherine Dunham Dance Company, making dance a way of life. His grit, tenacity, and notorious work ethic brought him scholarships to train at multiple prestigious dance institutions, including The Ailey School (NYC) and Ruth Page School of Dance (Chicago), under the direction of acclaimed ballet instructor Larry Long and Dolores Lipinski-Long.
He danced with several companies including Joel Hall Dance Company, Ruth Page Ballet Chicago, Lyric Opera, Chicago City Ballet, American Festival Ballet, and touring productions of “Music Man” and “A Chorus Line”.
In 1989, Savage moved to Oakland where he started teaching seven days a week, amassing a devoted following that was attracted to his no-nonsense, impassioned, and effective old-school teaching style.
In 1992, at the insistence of his committed core of students, he founded Savage Jazz Dance Company (SJDC). Over a span of 30 years, Savage produced more than 100 original works, and tour SJDC nationally and internationally, performing at Casa del Jazz in Rome to a packed house and rave reviews—the first dance company to receive such an invitation.
Savage built SJDC into one of the Bay Area’s most respected dance companies, creating a signature style known for its combination of disciplined training, blended with rich artistic musical expression, and raw energy.
In 2003, Savage joined the Oakland School for the Arts as chair of the School of Dance. Over the next two decades, he created, built, and maintained a strong dance program, recognized, and respected by other dance institutions for forging well-trained and resilient dancers and human beings.
The depth of Savage’s tough love and care, and the skill of his teaching and mentoring are reflected in the careers of his students who have gone on to dance with the San Francisco Ballet, Martha Graham Dance Company, Mark Morris Dance Group, Janet Jackson, Ariana Grande, and companies across the globe.
Savage lived his life as tribute to the teachers who had shared their wisdom on art and life with him. With a palpably genuine enthusiasm and desire to bring out the best in people, and pass the torch to the next generation, he poured into his students, as his teachers and mentors had into him. His infectious energy, love of life, and generosity of spirit inspired countless souls, both inside and outside the dance studio.
Mark Kitaoka, a photographer hired by Savage in 2016, posted a living eulogy on the dance instructor.
“When I see the self-pride he builds in his students I am constantly impressed that people like Savage still exist in our ‘meme’ society,” Kitaoka wrote. “The kids he mentors are fiercely loyal to one another and I’m certain his methods teach each of those kids to put aside social status, race and gender and is replaced by solid loyalty for other souls.
“What Savage contributes to our world cannot be completely summed up in a few meager paragraphs but can be seen in the countless lives of those he has touched. Because of him, our world, and the world of the future is both a richer and better place.
Reginald Ray-Savage will forever be missed, remembered, and lovingly quoted. He is survived by his beloved wife, Alison Hurley, his sister, Sonia, and his brothers, Pierre, and Andre. May his inextinguishable spirit and impact live on in all the lives he touched.
Oakland Post
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