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Most Engaging World Athletics Championships in History Finishes on a High in Budapest

The World Athletics Championships Budapest 23 concluded on Sunday (August 27th) after nine days of thrilling action in which superstars of the sport added to their legacy and new stars emerged as global champions. A record total of 2100 athletes from 195 countries (plus the Athlete Refugee Team) have competed in the Hungarian capital, watched […]
The post Most Engaging World Athletics Championships in History Finishes on a High in Budapest first appeared on BlackPressUSA.

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The World Athletics Championships Budapest 23 concluded on Sunday (August 27th) after nine days of thrilling action in which superstars of the sport added to their legacy and new stars emerged as global champions.

A record total of 2100 athletes from 195 countries (plus the Athlete Refugee Team) have competed in the Hungarian capital, watched by more than 400,000 ticketed spectators from 120 countries, and producing one world record, one world U20 record, seven championship records, 11 area records and 73 national records.

The heightened competitiveness provided enormous drama in the field events in particular, where 13 athletes across eight events recorded their best mark in the final round of competition to improve their positions, five of them clinching the gold medal.

Meanwhile, US sprinters Noah Lyles and Sha’Carri Richardson, Kenyan middle distance diva Faith Kipyegon, Dutch 400m hurdles specialist Femke Bol and dominant Spanish walkers Alvaro Martin and Maria Perez emerged as multiple title winners.

Lyles claimed the 100m and 200m double and anchored the USA men’s 4x100m relay team to victory, while Richardson set a championship record of 10.65 to win her first global title in the 100m, then anchored the USA team to a second championship record in the women’s 4x100m relay.

Kipyegon clinched a historic double, becoming the first woman to win both the 1500m and 5000m at the World Athletics Championships after breaking the world records over both distances this year.

Martin (20km and 35km race walk) and Perez (20km and 35km race walk) completed the first gold medal sweep of the race walks programme by one country, Spain.

Bol completed a drama-filled nine days by anchoring the Dutch women’s 4x400m team to a last-gasp victory in the final event, having fallen within metres of the finish line in the 4x400m mixed relay on the first night and won her first individual world title in the 400m hurdles in between.

Venezuela’s Yulimar Rojas won her fourth world triple jump title, while Lyles (200m), Kipyegon (1500m), Joshua Cheptegei (10,000m), Grant Holloway (110m hurdles) and Karsten Warholm (400m hurdles) have each won three titles in their core event.

With so many brilliant storylines, this will go down as the most engaging edition in the history of the sport.

After nearly one million website visitors a day in the first seven days, Budapest had already surpassed previous visitor numbers for a World Championships.

The popularity of the website’s live results platform continues to grow. On day one, traffic was more than double that for any previous event. At peak times, the website received over 400,000 requests per minute, and up to 14 million per hour.

Over the nine days of the championships, 14,000 news articles have been published for a reach of 28.5 billion.

A record number of more than 1200 accredited broadcast personnel from 46 broadcasters, as well as 850 accredited media and photographers from 75 countries, have covered the championships.

Rights-holding broadcasters report that huge audiences are tuning in from all over the world and there are impressive peak numbers in key markets such as Germany, UK, France and Finland. TBS in Japan reported after the first weekend that their coverage reached 28 million people at some point during the broadcast. These numbers are expected to grow as more data is collated.

Our social media platforms passed the milestone of 11 million followers during the championships, and more than 38,000 people visited the Museum of World Athletics exhibition in the Etele Plaza in Budapest.

World Athletics President Sebastian Coe said: “Together with the Budapest Organising Committee we have created a new standard for our outdoor World Championships going forward. It is the new blueprint. We have seen full stadia  which creates an electric atmosphere, we have had the highest ever number of participating athletes, we have witnessed jaw-dropping and nail-biting performances, and we have had huge audiences as a result.

“Innovation has been a driving force for these championships. They have had more innovation embedded in them than we have seen in the last decade. From a medal plaza where athletes are treated like rock stars, to the awarding of coaches’ medals, striking branding that can be seen across the city, and a clear sustainability vision. This is a World Championships city and a country with a long-term, ambitious vision for sport and legacy that goes way beyond a nine-day competition.

“Together with the Hungarian government, and science and technology institutions like the Hungarian University of Sport Sciences, we are drawing up plans to create a permanent World Athletics centre of coaching excellence, which will be housed at the National Athletics Centre. This centre will broaden access to world-class coaching around the world and carry out research in sport science, medicine, biometrics, AI, sport equipment and other areas that can help advance and support our pool of super talented athletes and coaches.”

Earlier today (27), the newly elected gender-equal World Athletics Council had its first meeting in Budapest and Colombia’s Ximena Restrepo was confirmed as the Senior Vice President to Coe, becoming the first woman to take that role.

Other World Championships statistics

RECORDS

1 world record (United States in the 4x400m mixed relay – 3:08.80)
1 world U20 record (Roshawn CLARKE, JAM, in the 400m hurdles – 47.34)
7 championship records (Ryan CROUSER, USA, in the shot put – 23.51; Daniel STAHL, SWE, in the discus – 71.46; United States in the 4x400m mixed relay – 3:08.80; Sha’Carri RICHARDSON, USA, in the 100m – 10.65; Shericka JACKSON, JAM, in the 200m – 21.41; María PEREZ, ESP, in the 35km race walk – 2:38:40; United States in the 4x100m relay – 41.03)
11 area records
Africa: Cote d’Ivoire, CIV, in the 4x100m relay – 41.90
Asia: Ernest John OBIENA, PHI, in the pole vault – 6.00; India in the 4x400m relay – 2:59.05; Kemi ADEKOYA, BRN, in the 400 metres hurdles – 53.56, 53.39 & 53.09
Europe: Matthew HUDSON-SMITH, GBR, in the 400m – 44.26
NACAC: United States in the 4x400m mixed relay – 3:08.80
Oceania: Jemima MONTAG, AUS, in the 20km race walk – 1:27:16
South America: Brian Daniel PINTADO, ECU, in the 35km race walk – 2:24:34; Flor Denis RUIZ HURTADO, COL, in the javelin – 65.47
73 national records
22 world leading performances

MEDALS AND PLACINGS

23 countries won gold medals
26 countries won silver medals
24 countries won bronze medals
46 countries won medals
71 countries finished in top 8

Countries from all six areas won gold medals:
Africa – 9 golds from 5 countries
Asia – 3 golds from 3 countries
Europe – 16 golds from 9 countries
NACAC – 20 golds from 4 countries
Oceania – 1 gold from 1 country
South America – 1 gold from 1 country

Other firsts

  • Neeraj Chopra won India’s first gold medal, in the men’s javelin. Hugues Fabrice Zango won Burkina Faso’s first gold medal, in the men’s triple jump. And Ivana Vuleta won Serbia’s first gold medal, in the women’s long jump.
  • Botswana’s Letsile Tebogo (silver) became the first African man to win a medal in the 100m.
  • Haruka Kitaguchi became the first Japanese athlete to win the women’s javelin, and has the opportunity to defend her title before her home crowd in Tokyo in 2025.
  • Canada won both hammer throw titles, and four gold medals in total, for the first time.
  • Ernest Obiena’s silver in the men’s pole vault is the best result for the Philippines at the World Championships.
  • First medals for Pakistan (Arshad Nadeem’s silver in the men’s javelin) and the British Virgin Islands (Kyron McMaster’s silver in the men’s 400m hurdles).
  • Highest ever placings (first top eight) for Lesotho (Tebello Ramakongoana’s fourth in the men’s marathon) and St Lucia (Julien Alfred’s fourth in the women’s 200m and fifth in the 100m).
  • First shared gold at the World Athletics Championships – Katie Moon (USA) and Nina Kennedy (AUS) in the women’s pole vault (also shared bronze medal in the men’s pole vault – Chris Nilsen (USA) and Kurtis Marschall (AUS)).

The post Most Engaging World Athletics Championships in History Finishes on a High in Budapest appeared first on Forward Times.

The post Most Engaging World Athletics Championships in History Finishes on a High in Budapest first appeared on BlackPressUSA.

Forward Times Staff

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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