Arts and Culture
Oakland Ballerina Angela V. Watson, 16 Dances Her Way to the Paris Opera Ballet
Angela V. Watson, a 16-year-old American ballet student at the San Francisco Ballet School and the only African-American student in the Women’s Advanced Preprofessional Level 7, has been admitted to the level Supérieur to train at the Paris Opera Ballet School in France. Very few Americans are offered such a humbling opportunity to train with the world’s first and finest ballet training program and competition is fierce.
95 percent of those admitted are French and Angela is one of few Americans and the first African-American hailing from Oakland, California to attend such a distinguished Summer Intensive Program. The School is the feeder to the Paris Opera Ballet Company, which is considered by many dance instructors to be the most prestigious ballet training program.
This year, of the 670 applications submitted from around the globe, only a total of about 200 were accepted to the 2019 Summer Intensive Training Program. Angela Watson from Oakland, California is one thirty 30 non-French applicants invited to train. In addition, Angela is invited by the San Francisco Ballet School Director, Patrick Armand, to attend the program as an American Exchange Student Scholar on a full Artistic Merit Scholarship sponsored by the American Friends of Paris Opera Ballet Foundation.
Angela began her training in classical ballet just 5 years ago at the Oakland School for the Arts School of Dance emphasis at age 11 where studied under the tutelage of Reginald Ray Savage the Principal Choreographer and Artistic Director and his assistant, Alison Hurley. As a result of Mr. Savage’s insistence that his students adhere to a strict course of training standard that meets those of the most renown world choreographers and ballet masters such as Arthur Mitchell founder of Dance Theatre of Harlem, Alvin Ailey founder of Ailey American Dance Theatre and Patrick Armand Director of San Francisco Ballet School, Savage has sent a wealth of highly trained dance students into the world of arts-based higher education and/or professional dance careers. More of his choreographic genus can be appreciated during the OSA Dance Concert 2019 on May 16-19. Additional program and ticket information can be found at www.oakarts.org or here.
The San Francisco Ballet School will feature Angela and other S.F. Ballet School students in its 1st Annual Spring Festival (formerly the “Student Showcase”) at the Yerba Buena Center for the Arts on May 22, 23 and 24, 2019, where she will dance in the D’isoline Ballet choreographed on her and the students by S.F. Ballet Company Artistic Director Helgi Tomasson. More information and tickets are available for the Spring Festival performance at www.sfballet.org/school .
Permission for the use of the photos and text was granted by Angela’s parents Carole and Dr. Geoffrey Watson.
Arts and Culture
Richmond Preps for Full Weekend of Cinco de Mayo Festivities
Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival. The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.
By Mike Kinney
The Richmond Standard
Cinco de Mayo festivities in Richmond and San Pablo are some of the bests in Bay, and organizers say that tradition will be alive and well at this weekend’s annual parade and festival.
The action kicks off Saturday, May 4, with the 16th Annual Cinco de Mayo Richmond/San Pablo Peace & Unity Parade. The parade of floats, performances, and community organizations starts at 10 a.m. at 24th Street and Barrett Avenue and Richmond and ends at 12:30 p.m. at St. Paul’s Church, 1845 Church Lane in San Pablo.
The parade’s Grand Marshall this year will be community organizer Diego Garcia, owner of Leftside Printing.
The festivities continue Sunday with the Cinco de Mayo Festival along 23rd Street, which last year drew over 100,000 people, according to the 23rd Street Merchants Association. This year’s festival will again run from 10 a.m. to 5 p.m. between the intersections of Rheem Avenue and Clinton Avenue. It will feature two entertainment stages, one sponsored by La Raza 93.3 FM at 23rd and Rheem, and another sponsored by Radio Lazer FM at 23rd and Clinton.
Both events are important for the city and the region’s Latino community.
San Pablo Mayor Genoveva Calloway, who co-chairs the parade alongside John Marquez, president of the Contra Costa Community College District Board of Trustees, says Saturday’s festivities are about bringing the Richmond and San Pablo communities together in unity.
“This truly connects the spectators and people in the parade as one,” Calloway said. “The parade showcases the real communities of Richmond and San Pablo – our nonprofits, schools, horse riders, classic cars and trucks, our local businesses. All of these people represent the heartbeat of our community.”
Rigo Mendoza, vice president of the 23rd Street Merchants Association, said that at its heart, Richmond’s Cinco de Mayo Festival celebrates the date the Mexican army’s victory over France at the Battle of Puebla on May 5, 1862.
But John Marquez started up the popular festival to bring the community together and also to exhibit the community’s businesses and culture to visitors, Mendoza said. The gathering was also a way to promote peace in the community.
Art
Mario Van Peebles’ ‘Outlaw Posse’ Screened at Oakland’s Grand Lake Theatre
The Oakland International Film Festival hosted a screening of “Outlaw Posse” at the Grand Lake Theatre on Monday. Special guests included director/actor Mario Van Peebles and his co-star, Oakland native Scytorya Rhodes. The film is Peebles’ second western, the first being ‘Posse,’ 13 years ago.
By Carla Thomas
The Oakland International Film Festival hosted a screening of “Outlaw Posse” at the Grand Lake Theatre on Monday. Special guests included director/actor Mario Van Peebles and his co-star, Oakland native Scytorya Rhodes. The film is Peebles’ second western, the first being ‘Posse,’ 13 years ago. Filmmaker Van Peebles shared his passion for independent artistry and producing projects with his son, Mandela, who also starred in the film, along with Whoopi Goldberg and Cedric the Entertainer. Next week, The Post will publish an in-depth interview featuring Peebles’ reflections on his work, future projects, and continuing his father’s legacy and Rhodes on her grandfather, a real-life cowboy.
Arts and Culture
Kedrick Armstrong: New Music Director for the Oakland Symphony
The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director. In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.
By Post Staff
The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director.
In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.
Armstrong is the successor to previous music director and Conductor Michael Morgan, who passed away in 2021 after a 30-year tenure at the Symphony.
Armstrong will open the Oakland Symphony 2024-2025 season on October 18.
Armstrong, who is 29 and hails from Georgetown, South Carolina, is currently the creative partner and principal conductor of the Knox-Galesburg Symphony.
The Chicago Tribune has praised Armstrong for his ability to “simply let the score speak for itself.” He enjoys a wide range of repertoire, spanning early music to premiering new works, using his joy and curiosity for all music to cultivate understanding and collaboration within diverse communities.
“I am deeply honored and grateful for the opportunity to serve as the new music director of the Oakland Symphony,” Armstrong said. “As a Black conductor, I find it humbling to stand on the shoulders of both Michael Morgan and Calvin Simmons,” the most recent and the first African American music directors of the Symphony, respectively.
Armstrong led three programs at the Symphony between 2022 and early 2024, which showcased his broad knowledge of the classical repertoire and enthusiasm for spotlighting diverse voices.
On his Oakland Symphony subscription debut on Feb. 16, Armstrong led the world premiere of “Here I Stand: Paul Robeson,” an oratorio by Carlos Simon on a libretto by Dan Harder, commissioned by the Oakland Symphony.
Armstrong was selected unanimously by the Oakland Symphony’s board of directors and musicians after an extensive two-year search. “The search committee was overwhelmed by Kedrick’s scholarship and curiosity about all kinds of music, from classical and jazz to gospel and hip-hop,” said. Dr. Mieko Hatano, executive director of the Oakland Symphony. “We are thrilled to have him join us at the Oakland Symphony.”
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