Oakland

Opinion: Trump’s Budget Escalates His War on People of Color

Published

9 years ago

May 24, 2017

By Orson Aguilar, The Greenlining Institute

Some readers thought I went too far by calling policies pushed by the Trump administration and Congress a war on Americans of color. But the president’s new budget proposal shows it’s even worse than I thought.

Even some Republicans have been rightly horrified at how the administration’s proposed budget cuts so much of what’s good, decent and useful that the federal government does, from food assistance (cut by a staggering $193 billion over 10 years) to Medicaid. But we can’t forget that this budget targets some groups more than others, and the attack on Americans of color has never been more overt.

Those massive Medicaid cuts, for example, will hurt millions who depend on the program for basic health care. Because people of color are less likely to have employer-provided health insurance and, thanks to America’s ongoing racial wealth gap, have less money with which to buy insurance, 58 percent of the Medicaid population is non-white.

But Trump’s proposed health cuts go far beyond Medicaid. They target disease prevention efforts at the CDC as well as vital programs that help train young people from diverse backgrounds to work in health professions. This not only cuts off a pathway out of poverty, it also means that blacks, Latinos and Asian Americans will be less likely to see a health provider who understands their community and culture, leading to worse care.

Massive cuts to affordable housing and other programs run by the Department of Housing and Urban Development would also disproportionately hurt low-income communities of color.

When these cuts were first floated back in March, housing advocates called them “unconscionable,” and nothing has changed that situation. For example, Community Development Block Grants, which help struggling neighborhoods with needs ranging from infrastructure improvements to housing assistance, would be wiped out completely.

On the financial front, the Trump budget would gradually defund the Consumer Financial Protection Bureau, which was created largely because of predatory lending that targeted black, Latino and Asian communities in the run-up to the 2008 crash. The budget plan also attacks a number of programs that have been crucial to small, minority-owned businesses.

For example, the budget proposal caps the Community Development Financial Institution Fund, a vital lifeline for community development banks, credit unions, and mission-based lenders – institutions that are often the only feasible source of capital for minority-owned small businesses.

It would also wipe out the Minority Business Development Agency, which runs programs and services to better equip minority-owned firms to expand and create jobs in their communities.

Because these firms tend to be smaller in size than white-owned firms and have less access to conventional sources of credit and capital, CDFIs and the MBDA have played a crucial role in strengthening this sector of our economy. Cutting them will cost jobs, and most of those jobs will be in communities of color.

Environmental cuts will also disproportionately hurt communities of color, as these communities – too often used as toxic dumping grounds ― consistently suffer from the worst pollution problems.

The Environmental Protection Agency’s Environmental Justice program would disappear completely, Native American pollution control programs would be slashed by nearly a quarter, Superfund toxic waste site cleanup would be cut by $330 million and grants to state and local air pollution control districts would be cut by 30 percent.

Also facing complete elimination is the Low Income Home Energy Assistance Program, which helps low-income families keep the lights and heat on. Until Americans of color catch up with their white counterparts in levels of employment, income and wealth, cuts to programs that alleviate poverty will always hit them the worst.

And, in one final bit of pointless cruelty, Trump’s proposed budget contains a provision that would make it far easier for the administration to withhold funds from sanctuary cities. Trump administration officials justify this as a crackdown on crime, but research shows that sanctuary cities – in which officials follow the law but don’t go beyond it in assisting with deportations – have lower crime rates than cities without sanctuary policies.

While the Trump administration budget literally contains something to hurt every American, it’s our communities who will be hurt first and worst if this atrocity passes.

This article originally appeared in the Huffington Post.

Oakland Post

Posts by Oakland Post

Up Next

Annual Black Health Summit in San Francisco To Feature Dr. Joy DeGruy, June 1-3

Don't Miss

Council Committee Passes Motion for Immediate Relief to Homeless Crisis

Oakland Post

Click to comment

Activism

Oakland Museum Presents Landmark Retrospective Celebrating Beloved Bay Area Artist Mildred Howard

“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.

Published

1 week ago

June 24, 2026

Oakland Post

Mildred Howard. Photo by Christine Cueto for the Oakland Museum of California, 2025.

Special to The Post

The Oakland Museum of California (OMCA) opened “Mildred Howard: Poetics of Memory,” the first major museum survey of Bay Area artist Mildred Howard, on June 12.

The exhibition spans five decades of Howard’s influential work, bringing together immersive installations, found-object sculptures, archival materials, and new commissions that explore memory, identity, and power in American life.

Howard was born in San Francisco in 1945 and raised in the East Bay, where she went on to study Afro-Haitian dance, make and sell clothing, and experiment with collage and sculpture.

Her multimedia art practice emerged from these experiences, later becoming associated with West Coast conceptual art, San Francisco funk, and a vibrant community of artists like Oliver Jackson, Betye Saar, and Raymond Saunders. Since the 1970s, she has used found materials and family stories to explore memory—both individual and collective.

At OMCA, visitors enter “Poetics of Memory” through a series of intimate galleries featuring Howard’s early mixed-media pieces and sculptures, along with a large video projection of a number of her public artworks.

Together, they emphasize Howard’s interest in everyday objects as powerful carriers of individual and shared stories. Highlights include collages that remix images of the artist herself; found-object sculptures like The History of the United States with a few Parts Missing (2007) that address omissions in dominant narratives; and public works like “Locks and Keys for Harry Bridges” (2001) that transform urban space into a meditation on access and labor.

This culminates in a richly detailed “studio” environment, where works in progress, archival exhibition flyers, historic photographs of Howard and her community, postcards from fellow artists, and other materials offer insight into her creative process and daily life.

The exhibition then opens into a high-ceilinged, dramatically lit space that brings together Howard’s signature immersive installations. On one end, “Crossings” (1997/2026) – a field of hundreds of ceramic eggs leading to an ornate mirror – suggests cycles of birth, motherhood, and transition, while drawing on the emotional echoes of the Middle Passage. On the other end, “Blackbird in a Red Sky” (a.k.a. “Fall of the Blood House”) (2002) – a red glass shack bordered by a pond – also uses reflection and transparency to draw viewers into the work and prompt consideration of themes of identity and home.

Howard’s newest video installation, “Moving Stills” (2026), repurposes never-before-seen family footage she took as a teenager on a train trip to the American South. Projected onto cascading layers of translucent fabric that stretch across an entire gallery wall, the piece immerses viewers in a layered meditation on memory, migration, and time.

The “Mildred Howard: Poetics of Memory” exhibit will be on display through Oct. 11 at the Oakland Museum of California, 1000 Oak St., Oakland, CA 94612. Museum hours are Wednesday through Sunday, 11 a.m. to 5 p.m., with extended hours on Fridays to 9 p.m.

This story is sourced from the Oakland Museum of California press office.

Oakland Post

Posts by Oakland Post

Alameda County

Ferry Fares to Increase July 1 as Ridership Hits Record Highs

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

Published

1 week ago

June 24, 2026

Oakland Post

Courtesy photo.

By Mike Aldax, The Richmond Standard

Starting July 1, the standard adult fare for the San Francisco Bay Ferry route between Richmond and San Francisco will increase to $5.20, up from the current $4.90.

Discounted fares for eligible passengers, including youth, seniors, people with disabilities, and Clipper START users, will rise to $2.60 from the current $2.40. Children under 5 will continue to ride for free.

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

The adjustments are part of a systemwide fare update approved by the agency’s Board of Directors, which is moving away from a flat 3% annual increase to route-specific pricing for the 2027 and 2028 fiscal years.

This fare update arrives as San Francisco Bay Ferry celebrates a historic May, transporting 301,270 passengers. The record-breaking figure represents an 8% increase over May 2025 and marks the third consecutive month of record-setting ridership.

Furthermore, it is the sixth month in a row that passenger numbers have exceeded pre-pandemic levels. Weekend travel has been a primary driver of this growth, with average weekend ridership seeing a 56% increase compared to pre-pandemic trends.

The agency states that the fare adjustments are necessary to ensure the long-term fiscal sustainability of public ferry services. By shifting to route-specific adjustments, the agency aims to offset rising operating costs while maintaining the high levels of service frequency and reliability.

Oakland Post

Posts by Oakland Post

Activism

Stop the Hate Symposium Brings Oakland Together Through Dialogue, Partnership, and Community Healing

More than a meeting and panel discussion, the annual symposium serves as a powerful example of what can happen when neighbors, community leaders, and organizations choose conversation over division, and unity over silence.

Published

1 week ago

June 24, 2026

Oakland Post

Speakers and guests at the annual ‘Stop the Hate Symposium posed with Oakland Chinatown Improvement Council ambassadors. Photo by Marcus Calloway.

By Dr. Maritony Jones, Special to The Post

With the purpose of creating safer, stronger, and more inclusive communities, and in partnership with the Oakland Private Industry Council and other community organizations, the Oakland Chinatown Improvement Council (OCIC) hosted the ‘Stop the Hate Symposium’ on June 13 at the Oakland Asian Cultural Center.

The free event featured keynote speakers, breakout sessions, cultural programming, creating a space where people from many backgrounds sat together with a shared purpose.

The turnout itself reflected the urgency and importance of the topic. The room was packed with community members eager not only to listen, but also to participate. Throughout the event, speakers shared data, personal experiences, research, and practical solutions designed to address hate, violence, social inequity, and community safety.

The keynote panel featured respected leaders and advocates, including Ray Bobbitt, founder of the African American Sports & Entertainment Group (AASEG); Ryan Takemiya from RAMA; Caheri Gutierrez from the Unity Council; honorary guest speaker Oakland City Councilmember at-Large Rowena Brown and City Councilmember Charlene Wang; representatives for Oakland Mayor Barbara Lee and U.S. Rep. Lateefah Simon, with Gia Vang of NBC serving as moderator.

The symposium also offered multiple breakout sessions that addressed issues affecting communities across Oakland and Alameda County:

Session 1, 2, 3: Building Safer and More Inclusive Communities, led by Pastor Raymond Lankfort, CEO of Oakland Private Industry Council (OPIC), Jessica Kang, research manager for Stop AAPI Hate, Kara Guerra of The Unity Council, and Gabriela delaRiva of the Spanish Speaking Citizens Foundation
Session 4: Talk Story: Collective Healing and Relationship Repair, presented by Ryan Takemiya, executive director of RAMA
Session 5: Sexual Violence Prevention, presented by Tunisia Owens, interim deputy director of Realized Potential
Session 6: Violent Attacks on Teens, presented by MaryAnn Alvarado, program manager of Youth Alive

Every session contributed to an important truth: meaningful change begins within communities, through honest dialogue and a willingness to work together.

One of the strongest themes to emerge from the day was the need to create more conversations and stronger partnerships—not just during times of crisis, but consistently and intentionally. Relationships among organizations, neighborhoods, and community leaders often operate behind the scenes but are not always highlighted or celebrated.

Bobbitt spoke powerfully about this issue, noting that partnerships and relationships often go unrecognized despite being essential to community progress. He pointed to examples such as the partnership between OPIC and OCHIC, emphasizing that these collaborations deserve more visibility, investment, and expansion.

Perhaps his most memorable message resonated deeply throughout the room. Bobbitt explained that when a grandparent is attacked or harmed, the impact extends beyond race or ethnicity because today’s families and communities are increasingly multicultural and interconnected.

“We are not going to see our grandparents as just Latino, Asian, Caucasian, or African American,” he shared in essence. “We are going to see them simply as our grandparents.”

Those words reflected the heart of the symposium. Hate may target one group, but pain and loss are felt by everyone. Likewise, healing and progress are shared responsibilities.

For more information about the Stop The Hate Program visit the website: https://www.oaklandchinatownchamber.org/stop-the-hate (or) https://oaklandpic.or