Entertainment

Single Session Launched Percy Sledge, No. 1 Hit, and a Sound

Published

11 years ago

April 15, 2015

In this Oct. 28, 2008 file photo, Percy Sledge kneels as he performs “When a Man Loves a Woman” along with the Muscle Shoals Rhythm Section at the Musicians Hall of Fame awards show in Nashville, Tenn. Sledge, who recorded the classic 1966 soul ballad “When a Man Loves a Woman,” died, Tuesday April 14, 2015. He was 74. (AP Photo/Mark Humphrey, File)

JAY REEVES, Associated Press
REBECCA SANTANA, Associated Press

MUSCLE SHOALS, Ala. (AP) — Sound engineer Jimmy Johnson knew he had captured something special on tape as Percy Sledge finished singing “When a Man Loves a Woman” in a recording studio in 1965.

Sledge, who died Tuesday, grew up singing in nearby cotton fields of northwest Alabama and never had been in a studio before that day. He didn’t even know how to work a microphone during that first session, Johnson said.

Johnson had to twirl the volume dials on the recording machine just to keep Sledge’s untrained voice at the correct levels during the session, but it worked. The track would become a No. 1 hit in 1966 and establish Sledge as a rhythm-and-blues singer of the first order.

“It gave us chills,” Johnson said.

Afterward, Sledge became a star and helped his native northwest Alabama establish itself as a recording Mecca that drew Aretha Franklin, the Rolling Stones, Bob Dylan, the Allman Brothers, Bob Seger and other top-shelf stars of the 1960s and ’70s in search of the “Muscle Shoals Sound.”

Johnson, now 72, said it all began when Sledge sang “When a Man Loves a Woman,” with its haunting lyrics and his mournful, blue-eyed style.

“Everything lined up for this,” said Johnson, who played rhythm guitar for the great Muscle Shoals studio group called “The Swampers.”

“I mean, the song was one of the best songs I’ve ever heard even to this day. The lyrics were incredible. The melody was wonderful. Percy’s voice and the job he did,” Johnson said in his home overlooking the Tennessee River. “I mean, hey, it still holds up today.”

Johnson’s business partner, 71-year-old bass player David Hood, another of the legendary studio musicians from Muscle Shoals, said he owed his career to Sledge and described him as the “nicest person you’d ever want to meet.”

Hood — the father of Drive-By Truckers front man Patterson Hood — played with Sledge for years and last saw him in the fall, when friends threw a benefit show for Sledge after learning he had been diagnosed with liver disease.

“He was very sick, very weak, but he did come up on stage and sing “When a Man Loves a Woman,” Hood said.

Sledge, who soared from part-time singer and hospital orderly to lasting fame with his aching, forlorn performance on the classic song, was 74 when he died in Baton Rouge, Louisiana.

His family said in a statement released through his manager, Mark Lyman, that Sledge died at his home after a yearlong struggle with cancer. The cause of death was liver failure, Lyman said.

Despite having other hits Sledge became known for “When a Man Loves a Woman.” It was the first No. 1 hit from Muscle Shoals, and the first gold record for Atlantic Records.

Atlantic Records executive Jerry Wexler later called the song “a transcendent moment” and “a holy love hymn.” Sledge’s hit became a standard that sustained his long touring career in the United States, Europe and South Africa and led to his induction into the Rock and Roll Hall of Fame in 2005. It was a favorite at weddings — Sledge himself did the honors at a ceremony for musician and actor Steve Van Zandt — and often turned up in movies, including “The Big Chill,” ”The Crying Game” and a 1994 Meg Ryan drama named for the song’s title.

Recognizable by his wide, gap-toothed smile, Sledge had a handful of other hits between 1966 and 1968, including “Warm and Tender Love,” ”It Tears Me Up,” ”Out of Left Field” and “Take Time to Know Her.” He returned to the charts in 1974 with “I’ll Be Your Everything.”

Before he became famous, Sledge worked in the cotton fields around his hometown of Leighton in northwest Alabama and took a job in a hospital in nearby Sheffield. He also spent weekends playing with a rhythm-and-blues band called the Esquires. A hospital patient heard him singing while working and recommended him to record producer Quin Ivy.

In the 2013 documentary “Muscle Shoals,” Sledge recalled recording the song: “When I came into the studio, I was shaking like a leaf. I was scared.” He added that it was the “same melody that I sang when I was out in the fields.”

“I just wailed out in the woods and let the echo come back to me.”

Sledge said the song was inspired by a girlfriend who left him for a modeling career after he was laid off from a construction job in 1965. But in a decision that likely cost him a fortune, he gave the songwriting credits to two Esquires bandmates, bassist Calvin Lewis and organist Andrew Wright, who helped him with it.

While identified with Muscle Shoals, Sledge lived for most of his career in Baton Rouge. He was inducted into the Alabama Music Hall of Fame in 1993 and the Louisiana Music Hall of Fame in 2007.

Dick Cooper, curator of the Alabama Music Hall of Fame, said Sledge’s biggest hit laid the foundation for decades of music.

“‘When a Man Loves a Woman’ is one of the greatest and most compelling of the soul ballads that have ever been recorded,” he said. “It set a trend that was followed throughout the ’60s and ’70s by a number of artists.”

___

Santana reported from New Orleans. Associated Press writers Kevin McGill in New Orleans, Brian Slodysko in Baton Rouge, and Mesfin Fekadu and Hillel Italie in New York contributed to this report.

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Advice

COMMENTARY: If You Don’t Want Your ‘Black Card’ Revoked, Watch What You Bring to Holiday Dinners

From Thanksgiving to Christmas to New Year’s Day, whether it’s the dining room table or the bid whist (Spades? Uno, anyone?) table, your card may be in danger.

Published

2 days ago

December 14, 2025

Oakland Post

The ‘aunties’ playing cards. iStock photo by Andreswd.

By Wanda Ravernell
Post Staff

From the fourth week of November to the first week in January, if you are of African descent, but particularly African American, certain violations of cultural etiquette will get your ‘Black card’ revoked.

From Thanksgiving to Christmas to New Year’s Day, whether it’s the dining room table or the bid whist (Spades? Uno, anyone?) table, your card may be in danger.

It could take until Super Bowl Sunday for reinstatement.

I don’t know much about the card table, but for years I was on probation by the ‘Aunties,’ the givers and takers of Black cards.

How I Got into Trouble

It was 1970-something and I was influenced by the health food movement that emerged from the hippie era. A vegetarian (which was then considered sacrilegious by most Black people I knew) prepared me a simple meal: grated cheese over steamed broccoli, lentils, and brown rice.

I introduced the broccoli dish at the Friday night supper with my aunt and grandfather. She pronounced the bright green broccoli undone, but she ate it. (I did not, of course, try brown rice on them.)

I knew that I would be allowed back in the kitchen when she attempted the dish, but the broccoli had been cooked to death. (Y’all remember when ALL vegetables, not just greens, were cooked to mush?)

My Black card, which had been revoked was then reattained because they ate what I prepared and imitated it.

Over the decades, various transgressions have become normalized. I remember when having a smoked turkey neck instead of a ham hock in collard greens was greeted with mumblings and murmurings at both the dining room and card tables. Then came vegan versions with just olive oil (What? No Crisco? No bacon, at least?) and garlic. And now my husband stir fries his collards in a wok.

But No Matter How Things Have Changed…

At holiday meals, there are assigned tasks. Uncle Jack chopped raw onions when needed. Uncle Buddy made the fruit salad for Easter. My mother brought the greens in winter, macaroni salad in summer. Aunt Deanie did the macaroni and cheese, and the great aunts, my deceased grandmother’s sisters, oversaw the preparation of the roast beef, turkey, and ham. My father, if he were present, did the carving.

These designations/assignments were binding agreements that could stand up in a court of law. Do not violate the law of assignments by bringing some other version of a tried-and-true dish, even if you call it a new ‘cheese and noodle item’ to ‘try out.’ The auntie lawgivers know what you are trying to do. It’s called a menu coup d’état, and they are not having it.

The time for experiments is in your own home: your spouse and kids are the Guinea pigs.

My mother’s variation of a classic that I detested from that Sunday to the present was adding crushed pineapple to mashed sweet potatoes. A relative stops by, tries it, and then it can be introduced as an add-on to the standard holiday menu.

My Aunt Vivian’s concoctions from Good Housekeeping or Ladies’ Home Journal magazine also made it to the Black people’s tables all over the country in the form of a green bean casserole.

What Not to Do and How Did It Cross Your Mind?

People are, of all things holy, preparing mac ‘n’ cheese with so much sugar it tastes like custard with noodles in it.

Also showing up in the wrong places: raisins. Raisins have been reported in the stuffing (makes no sense unless it’s in a ‘sweet meats’ dish), in a pan of corn bread, and – heresy in the Black kitchen – the MAC ‘n’ CHEESE.

These are not mere allegations: There is photographic evidence of these Black card violations, but I don’t want to defame witnesses who remained present at the scene of the crimes.

The cook – bless his/her heart – was probably well-meaning, if ignorant. Maybe they got the idea from a social media influencer, much like Aunt Viv got recipes from magazines.

Thankfully, a long-winded blessing of the food at the table can give the wary attendee time to locate the oddity’s place on the table and plan accordingly.

But who knows? Innovation always prevails, for, as the old folks say, ‘waste makes want.’ What if the leftovers were cut up, dipped in breadcrumbs and deep fried? The next day, that dish might make it to the TV tray by the card table.

An older cousin – on her way to being an Auntie – in her bonnet, leggings, T-shirt, and bunny slippers and too tired to object, might try it and like it….

And if she ‘rubs your head’ after eating it, the new dish might be a winner and (Whew!) everybody, thanks God, keeps their Black cards.

Until the next time.

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Arts and Culture

Fayeth Gardens Holds 3rd Annual Kwanzaa Celebration at Hayward City Hall on Dec. 28

Kwanzaa celebrates seven principles – Nguzu Saba – that support an ideal of community, beginning from Dec. 26 to Jan. 1. Those principles, in Swahili, are: Umoja (Unity), Kujichagulia (Self-Determination), Ujima (Collective Work & Responsibility), Ujamaa (Collective Economics), Nia (Purpose), Kuumba (Creativity) and Imani (Faith).

Published

2 days ago

December 14, 2025

Oakland Post

The Pride and Joy Band performed at the first annual Kwanzaa celebration sponsored by Fayeth Gardens. Courtesy photo.

Entertainment, vendors, and special honors for Sankofa Lifetime Achievement awardees

Special to The Post

Celebrating Ujima, the principle of ‘Collective Work and Responsibility,’ Fayeth Gardens’ 3^rd Annual Kwanzaa Celebration will be held on Dec. 28, from 12 noon to 5 p.m.

Kwanzaa celebrates seven principles – Nguzu Saba – that support an ideal of community, beginning from Dec. 26 to Jan. 1.

Those principles, in Swahili, are: Umoja (Unity), Kujichagulia (Self-Determination), Ujima (Collective Work & Responsibility), Ujamaa (Collective Economics), Nia (Purpose), Kuumba (Creativity) and Imani (Faith).

The free event at Hayward City Hall at 777 B St. will feature live entertainment, a guest speaker, awards for community activists whose work reflects the principle of Ujima, vendors and an honoring of the ancestors by Awon Ohun Omnira (Voices of Freedom).

On stage will be the Touch of Class Band, a New Orleans Second-Line Band, and the California Griot Storytellers. Bring the children to have fun in the Kids Korner.

Velda Goe, who has been celebrating Kwanzaa since it started in the 1960s, noticed there was no public celebration of the holiday in Hayward when she moved to the city in 2008.

“I started it a couple of years ago,” she said, “and hopefully it will continue just like the cultural events by other nationalities (in Hayward). The Afro-descendent people of Hayward deserve cultural recognition as well.”

Goe also believes it’s important that Kwanzaa gets its due because “there are so many misconceptions,” particularly by people of other nationalities, who are under the impression “that Kwanzaa is a cult, a religion, or replaces Christmas.”

The celebration, which is open to all, can have the effect of helping guests see that Kwanzaa’a principles and purpose are common to all

This year’s Sankofa Lifetime Awardees are:

Mrs. Freddye M. Davis: President of the South Hayward NAACP
•Baba Arnold X.C. Perkins: Co-founder of the Brotherhood of Elders
•Frederick Jordan,: Legendary founder of F.E. Jordan & Associates and the Design Engineer for the Charles P. Howard Container Terminal at the Port of Oakland + 1,000 Projects

Come dressed up in your best African wear to enter a raffle for a prize for best-dressed Afrocentric King and Queen.A free, healthy soul food lunch is available with an Eventbrite ticket, which can be found at for free lunch is available from for 11:30 to 12 p.m.

In its third year, the event is the brainchild of Velda Goe, founder of Fayeth Gardens, a community planting site to educate and provide a means for urban dwellers to grow healthy food for their families and develop life-sustaining eating habits.

Interested in being a vendor, volunteer, or sponsor? Reach out to FayethGardens@gmail.com

For tickets, go to: https://www.eventbrite.com/e/fayeth-gardens-3rd-annual-kwanzaa-celebration-at-hayward-city-hall-tickets-1974966953322