Oakland Vocal Students to Perform

Vocal music students at the Oakland School for the Arts (OSA) are preparing to perform in “Spotlight,” a one-night show on Thursday, May 2 at the Fox Theatre in Uptown Oakland.
The show will take the audience on a  journey into competitive singing reality TV shows such as American Idol, Making the Band, and The Voice. Talented vocal students will perform music by Stevie Wonder, Maroon 5, Prince, Whitney Houston, John Legend, U2, En Vogue and other artists.
The program will include 10 choirs from OSA’s School of Vocal Music, alumna Kent Overshown of the Broadway show “Memphis,” the award winning A Capella group Vocal Rush, as well as students from the instrumental and dance departments.
The show will be hosted by OSA student Ali-Khan Guidry of the music group POPLYFE. The program begins at 7 p.m. at the Fox Theater, 1807 Telegraph Ave. in Oakland. To purchase tickets, visit www.oakarts.org or call Denise Booker at (510) 873-8807.

San Leandro Expands Dates and Hours for Summer Swimming

The San Leandro Recreation and Human Services Department will operate pools over the summer at the San Leandro Family Aquatic Center, Boys and Girls Club and Farrelly Pool.

Mayor Stephen Cassidy

San Leandro Boys’ and Girls’ Club Pool

Farrelly Pool

San Leandro Family Aquatic Center at Washington Manor Park

Each of the pools offers swim lessons for all ages and levels at a variety of times with American Red Cross certified and trained instructors.  To register for swim lessons online, go to: http://bit.ly/SLswim2013 and click Aquatics in the left-hand sidebar.
Recreational swimming is offered at each of the pools at a variety of times and days as well.  Thanks to a generous anonymous donation, recreational swimming will be expanded at Farrelly Pool to include the weekends as well as Monday-Thursday evenings.
According to Mayor Stephen Cassidy, “We are delighted that Farrelly Pool will be open to children and adults on the weekends throughout the summer. Keep your kids and yourselves water safe, and enjoy our pools located across San Leandro. Exercise classes, lap swimming and recreational swim are also offered.”
Purchasing a pass saves time (you get to enter 10 minutes before the doors open!) and money (there’s a $25 discount if you purchase before May 24t- plus save $25 more if you register with another family).
This year, summer recreational swim hours are as follows:
San Leandro Family Aquatic Center: Open from May 25 to Sept. 2 on Saturdays and Sundays from 1 to 4:45 p.m. Starting on June 17 through Aug. 20 the facility will be open every day of the week from 1 to 4:45 p.m. The facility will also be open for recreational swimming from 1 to 4:45 p.m. on Memorial Day, Fourth of July and Labor Day holidays. The center is located at 14900 Zelma St., San Leandro.
Farrelly Pool: Open from June 17 to Aug. 15 on Mondays, Tuesdays, Wednesdays and Thursdays from 6:30 to 8:30 p.m. Also open from June 22 to Sept. 1 on Saturdays and Sundays from 1 to 4:45 p.m. (No recreational swimming on July 4 or July 28). The pool is located on the grounds of Roosevelt Elementary School at 864 Dutton Ave., San Leandro.
Boys and Girls Club: Open from June 17 to Aug. 15 on Mondays, Tuesdays, Wednesdays and Thursdays from 2 to 4 p.m. (No recreational swimming on July 4). The club and pool are located at 401 Marina Blvd., San Leandro.
To register for swim classes and purchase Family Recreational Swim passes, contact the San Leandro Recreation and Human Services Department at (510) 577-3462. Or, go to the department’s customer service locations at the Marina Community Center, 15301 Wicks Blvd., Monday-Friday, 11:30 a.m. – 7 p.m. and Saturdays 10 a.m. – 2 p.m., or the Senior Community Center, 13909 East 14th St. Monday-Friday, 8:30 a.m. – 5 p.m.
For further information, please call San Leandro Recreation and Human Services customer service at (510) 577-3462.

April 23-28 – Alvin Ailey American Dance Theater | Zellerbach Hall, Berkeley

The incomparable Alvin Ailey American Dance Theater, perhaps the most acclaimed international ambassador of American culture performing today,

returns to the Bay Area. Under the inspired leadership of artistic director
Robert Battle, and building upon the “big, big wow” (San Jose Mercury
News) of its 2012 appearances, the company’s 2013 Berkeley residency
promises wide-ranging programs packed with Ailey classics-including the
“divinely timeless, rousing, and radiant” Revelations (Atlanta Journal-
Constitution)-and works by today’s most exciting choreographers.

Boston Ballet Dance Soloist John Lam Visits “Performing Stars,” Where He Got His Start

By Godfrey Lee

John Lam. Photograph by Gene Schiavone.

Cheryl Jennings, Anchor at ABC7 News, interviewing John Lam. Photo by Godfrey Lee.

John Lam, a dance soloist with the Boston Ballet, returned home to San Rafael to dance in the Marin Ballet 50th Anniversary Reunion Performance Saturday, April 13.
Lam trained at the Marin Ballet for more than 10 years before going on to complete his training at the Canada’s National Ballet School.
Lam was also honored by his early mentor and teacher Felecia Gaston, director of Performing Stars of Marin, at a celebration on Friday, April 12 at the Al Boro Community Center in San Rafael.
Other performers included the Marin Chinese Cultural Lion Dancing group doing a lion dance. ChauntiAna Thomas, a 12 year old with a video on YouTube, sang “Hero.”
Pashia Lord, and Performing Stars alumni sang “I Know Where I’ve Been, ” and Performing Stars/Branson High School Leap Dancers also performed.
Joyce Williams and Louella J. Reed helped at the raffle table. Deborah Santana donated a diamond ring as a grand prize for the raffle.
Julian Thu Soung, Mrs. Vietnam USA, congratulated Lam, who is her cousin.  Cheryl Jennings, news anchor at ABC7, was mistress of ceremonies.
“My parents are refugees from Vietnam,” said Lam. His family lived in the low-income Canal District of San Rafael. While his parents worked full time to support three children, he was in a community daycare program, and there learned about the Marin Ballet Scholarships.
Marin Ballet co-founder Phyllis Thelan brought up the idea of scholarships more than 20 years ago, after seeing a dance program in New York that worked with inner-city kids. While Thelan had the scholarships, she also learned that it took someone, like Felecia Gaston, to find those children and take the scholarship offers to them.
Gaston went to the child-care center, and asked ‘Who wants to take ballet?’ Lam was the only boy that said, “I do, I do.”
“The only reason why I was able to go to Marin Ballet was because of Performing Stars of Marin. They were a very huge influence in making sure I had my ballet shoes, my uniform, making sure I had transportation, ” Lam said.
Marin Ballet took over Lam’s training and helped him go to the National Ballet of Canada, where Lam completed his training and high school education. Lam went on to dance professionally with the Boston Ballet.
Even as Lam has become a professional dancer, the Marin Ballet is still “like family to me,” he said. “This is what happens with a child that comes from the Canal District.”

SXSW 2013 Spring Music & Film Festival

Fundamental Strategic Marketing by JT Tha Bigga Figga. Photo by Damon Jamal .

By Shaveela
Raniga

The South by Southwest (SXSW) 2013 Spring Music & Film Festivals, an “Artistry Battle” that takes place annually in Austin, Texas, this year featured artists and musicians from the Bay Area and around the world.
One attention grabber was JT Tha Bigga Figga from San Francisco, who found a unique way to display his way of thinking and grabbing the crowd’s attention.  He created enormous 10-foot-tall poster boards, which he used to weave his way through the crowd as fans roared his name, “JT Tha Bigga Figga.”
Other featured Bay Area artists were J-Stalin, D-Lo, Iamsu, Jay Ant, Berner and Souls of Mischief.
Artists who plan to attend upcoming festivals for the sake of exposure should keep in mind that they should bring their A-game. They should also come camera ready, since they will never know who will be in their face.
For photos and information go to http://inyofacefilm.com/), and http://sxsw.com/interactive.

CubaCaribe Dance Festival in Oakland and SF

CubaCaribe Dancers in a recent performance. Photo by Andy Mogg.

The 9th Annual CubaCaribe Dance Festival will present performances, workshops, demonstrations and lectures by master and emerging Caribbean and Latino musicians and choreographers, April 12 through April 28 in San Francisco and Oakland.
The theme of this year’s festival is “Tributes to our Teachers.”
Among the groups that will perform are the modern dance company Danza del Caribe, which will come from Santiago de Cuba . This will be the first time this group has been to the U.S.
Performances will be held Friday, April 12 through Sunday, April 14 at the Dance Mission Theater, 2216 24th St. in San Francisco.
Danza del Caribe from Santiago de Cuba will perform Friday, April 19 at 7 p.m. at Yerba Buena Center for the Arts, Forum Theater, 701 Mission St. in San Francisco.
Performances will also be held Friday, April 26 through Sunday, April 28 at Laney College Theater, 900 Fallon St. in Oakland.
For information go to www.cubacaribe.org. For tickets go to www.brownpapertickets.com

USA Today – Obama praises Calif. AG’s looks

Obama praises Calif. AG’s looks
In this this May 10, 2012 file photo, California Attorney General Kamala Harris appears before an Assembly committee at the Capitol in Sacramento, Calif.

Rich Pedroncelli, AP

In this this May 10, 2012 file photo, California Attorney General Kamala Harris appears before an Assembly committee at the Capitol in Sacramento, Calif.

by David Jackson, USA TODAY

Published: 04/04/2013 05:40pm

We can’t help but wonder what the first lady is going to think of this.

At a fundraiser Thursday in California, President Obama had nothing but praise for state Attorney General Kamala Harris — including her looks.

“She is brilliant and she is dedicated and she is tough, and she is exactly what you’d want in anybody who is administering the law, and making sure that everybody is getting a fair shake,” Obama said first.

Then: “She also happens to be, by far, the best-looking attorney general in the country.”

As the crowd reacted, the president said: “It’s true! Come on!”

Obama added that Harris “is a great friend and has just been a great supporter for many, many years.”

Copyright 2013 USATODAY.com

Man Wanted for Spreading HIV to Hundreds of Men and Women

Isaac Don Burks

Authorities are offering a reward up to $100,000 for information leading to the arrest of 31-year-old Isaac Don Burks, who has been accused of intentionally infecting hundreds of men and women in New York, New Jersey and Pennsylvania with HIV.
Police say his potential victims could date back as far as 2003. He has had several aliases throughout the years including: Stephawn Burks, Stefan Levine, Isaac Levine, Stefan Burks, and Walter Brooks.
New York City Health Department spokesperson Kate Caraway said this is the first time officials have seen someone deliberately trying to spread HIV to so many people.
“We want to make sure that anyone who may have injected drugs with or who may have had sex with him does come forward and gets tested,” said Caraway. “We want to make sure that they’re not spreading the virus to anyone else.”

New “InYoFaceFilm” Video Production Features a Light Hearted Comical Music Video

From the left Danny A,Droop-E, Cherenna Wright, and Haqq Shabazz.

From the left: Danny A, Damon Jamal, and Droop-E.

By Shaveela Raniga

Award winning director Damon Jamal and  executive producer Haqq Shabazz of InYoFaceFilm are coming out with “White Boy Faded,” a light hearted comical music video on getting faded by up and coming artist Danny A.
The video features an appearance by hip-hop’s Droop-E, the son of the Ambassador of the Bay, E-40.
During the video shoot there was never a dull moment. The momentum on set was very positive and upbeat.
The genre of the music fits into the Hip Hop category. You can locate Danny A on Facebook at facebook.com/dannyarapfans, www.dannyarap.com, on twitter at dannyarap and for booking at Shabazz@inyofacefilm.com (510) 967-9291.
The next video will be Bossy, featuring Droop-E directed by Damon Jamal and executive producer Haqq Shabazz.
Contact Shaveela Raniga at www.inyofacefilm.com.

Berkeley High Jazz Bands Kick Off New Season

Berkeley High Jazz Ensemble

Berkeley High School’s jazz bands kick off their spring season with two shows at Yoshi’s Oakland on Tuesday, March 26.
Both shows will feature the Berkeley High Jazz Ensemble, the program’s flagship big band. The show will also feature one of the program’s smaller combos, made up of students poised to become tomorrow’s jazz stars.
Tickets are $15 dollars for the 7 p.m. show, and $10 dollars for the 9 p.m. show.
For further information contact Karen at (510) 272-9453 or kissandk@gmail.com

Darlene Lawson, 75, Fought for Equal Education

Darlene Lawson served on the Oakland Board of Education from 1983 to January 1993. Here she celebrates her second inauguration with five of her seven children: Loretta Little, Vida Byrd, Billie Wright, Annette Wright and Charlene Byrd.

By Ken A. Epstein

Businesswoman Darlene Ann Lawson-Scott, 75, who left a lasting impact on Oakland schools during two terms on the Board of Education, died on Jan 13. A fighter for equal education for flatland children and families, she was the first African American woman to be elected to the school board.
Known as Darlene Lawson when she ran and won a seat in District 5, she served on the board from July 1983 through January 1993. She was selected by fellow board members to serve as board president in 1985 and 1987.
As a parent, she started going to PTA meetings. “She learned that the hill schools were getting more resources than flatland schools. That’s why she ran for office – she wanted to be an advocate for flatland parents and children,” said Lawson’s daughter Loretta Little.
In one campaign brochure, written in Spanish and English, she described herself as “Someone who will not sell out.” She said she supported classroom curriculum that shows “an appreciation of the richness of the cultural difference and similarities of our children.”
She also backed: “No schools closings;” “A program in teacher training for prospective Latino, African-American and Asian teachers;” and “school safety with parental involvement.”
On the board, Lawson developed committees so members could make informed decisions on finances, budget, disciplinary hearings and facilities. Years later, the state trustee who was assigned to Oakland disbanded the committees.
“Without committees, the board has no way of doing anything but rubberstamp” staff decisions, said Sylvester Hodges, who served with Lawson on the board. He represented District 7.
The disciplinary committee reviewed expulsions to make sure youngsters – who may have done something wrong and childish – were not needlessly kicked out of school, destroying their futures.
“Darlene showed she was a leader in her personal and her political life,” said Hodges. “She had many different sides to who she was. She brought people together as a family,” he said.
Lawson made waves when she focused on unequal funding to schools in the richer and poorer areas of the city, Hodges said. “We were very disappointed with the difference in funding allocations between the flatlands and the hills. Darlene was quick to point that out, and people didn’t like that.”
Lawson and other members of the board’s African American majority faced a “public lynching,” during those years, Hodges said. Despite the barrage of attacks from the media and officials, he said, “She did not back down because she was being attacked. She was brave.”
Oakland education leader and professor Kitty Kelly Epstein also remembered Lawson as someone who stood up for Oakland children.
“Darlene was one of the first elected officials in Oakland to conscientiously advocate for flatlands residents,” Epstein said. “She was an effective parent advocate before she ran for school board, and she courageously stood up against the ‘old-boy’ and ‘old-girl’ network who thought they should continue to run Oakland politics.”
Lawson was born April 20, 1937 in St. Louis, Missouri, the daughter of Richard Woods Sr. and Leoma Woods-Dixon. A “PK” or Preacher’s Kid, she had a very strict upbringing.
The oldest of nine children, she took care of her siblings and other family members when their parents and grandparents passed away.
At her early age she joined the African Apostle Methodist Church. She graduated in 1955 from Douglas High School and received an AA degree in business from St. Louis Community College.
Her first job was at a fast food restaurant. She also worked in nursing and served as a Girl Scout leader and swim coach.
Even after she relocated to California, she was quick to travel back to St. Louis whenever a family member needed her.
After leaving the school board, she earned a real estate license. She helped youth find jobs and worked through the City of Oakland to help women on welfare become first-time homeowners.
Lawson married David Scott in 1990. A successful entrepreneur, she was a daycare provider, real estate broker and owned several businesses, including nightclubs.
She also found time to co-author a two-volume book on her family’s history, “Genealogy of a Family Before and After Slavery,” conducting research at plantations and locating ancestors who had worked on the railroads.
She spent her last years at a convalescent home in Alameda. Though ill, she advocated for the rights of the elderly and disabled residents and served on the board of the rehabilitation care home.
Lawson was preceded in death by her parents, her brothers Ronald P. Dixon and Robert E. Woods and a sister, Carol McDuffie (McDaniel).
She leaves her husband of 23 years, Dave Scott, sons David Scott Jr. and Keith Lawson and daughters Charlene Byrd, Loretta Little, Vida Byrd, Billie Jo Wright and Annette Wright.
She also leaves brothers Richard Woods, Jack Woods and Byron Dixon, sisters Marieda Woods (Irons) and Betty Booth: and 12 grand children; and many “god-children” who she had adopted into her heart over the years.

Oakland’s Margo Hall Plays a Woman Who Got “Played”

Margo Hall

By Sandra
Varner/
Talk2SV.com

Currently running at The San Francisco Playhouse through March 16 is the aggressive and arresting Broadway hit, “The MF with The Hat” from playwright Stephen Adly Guirgis (Jesus Hopped the “A” Train).
“The Hat” is bold, edgy, powerful and callous with a cast up to the task of parlaying the pathos of two couples and a cousin, walking the tightrope of sobriety and seduction at the same time lobbing biting obscenities and curdling insults with rapid fire release.
Oakland’s Margo Hall plays Victoria, the seething wife of Ralph (Carl Lumbly), angered by his infidelity and her inability to spurn his knowingly dangerous charm and his slick and sexy ways.
Hall described Victoria as a woman, “who at one point in her life was on top of the world. She was a junior trader on Wall Street making $100K a year, she dated an art dealer, but she had a substance abuse problem. She was attending Alcoholics Anonymous trying to work it all out when she heard Ralph at a meeting and was taken in by his charisma and all the things that he’s very good at as a manipulator. She left her life behind and went to Ralph, now feeling stuck in this relationship because there’s a fear that if she leaves him she may go back to using; he holds that power over her.”
Hall said she knows women who felt trapped in abusive relationships, and, because of their feelings of no self worth, they didn’t feel they had a way out.
Read more at www.Talk2SV.com.

Alameda Students Sponsor “More Than a Month” Film Screening

High students in Alameda will be showing and discussing a provocative documentary, “More Than a Month,” in which a young man travels across the country, examining what Black History means in “Post-Racial” America.
The event will be held on Wednesday, Feb. 27 from 5 p.m. – 8 p.m. at Ruby Bridges Elementary School, 351 Jack London Ave. in Alameda and is sponsored by the Black Student Unions at Encinal and Alameda High Schools, along with their peers from Island High School and the Alameda Multicultural Community Center.
Following the showing  of the award-winning film by African American filmmaker Shukree Tilghman, a panel of local high school students, educators and community members hold  a discussion with the audience, moderated by Rick Moss, chief curator and director of the African American Museum and Library in Oakland.
Students will also present Profiles of History, biographies of game-changers who have impacted both Black and American history.
For information, contact Dexter Moore at (510) 798-1236 or dmoore@alameda.k12.ca.us

Paul Robeson’s Songs and Struggles Live at Allen Temple

 

Lawrence Beamen

By Lee
Hubbard

Lawrence Beamen was 20 when he learned about legendary singer and political activist Paul Robeson, captivated by stories of the historic struggles Robeson went through and how he used his artistic talents to help fight for Black civil rights and equal opportunity.
“I began to immerse myself in the study of his life,” said Beamen. “Robeson believed that fate had drawn him to the path of drama and stressed the only ‘original’ (American) culture was African American culture.”
Beamen has appeared and sung at events and venues all over the country.  He will bring his talent to Oakland with his interpretation of Robeson in his show, “From Renaissance to the Struggle of Paul Robeson,” on Friday, Feb. 22, 7 p.m. at Allen Temple Baptist Church in Oakland.
The event will feature a concert and re-enactment of the 1956 House Un-American Activities Committee (HUAC) testimony with actors Paul Abbott and Michael Walraven, The dramatization of the hearing will help tell the story of Robeson’s life and tribulations.
“(The show) opened up the door for people to know who I am,” said Beamen.  “It has taught me to be more humble and to be patient, to keep moving on with what I do best.”
Beamen, a native of Mississippi, grew up in Oakland and began singing at a young age. He developed his deep baritone voice while singing in the church. He performed locally before getting his national break as a top-five performer on the television show NBC’s “America’s Got Talent. “
“Every attempt was made to silence and discredit Paul Robeson,” said Beamen.  “I’ve performed the single most popular Robeson song ‘Ole Man River’ so many times that it has become a powerful mantra and metaphor for me, with a deeper meaning that depicts the inevitable continuum of life.”
Robeson was a Renaissance man. He was an exceptional athlete, actor, singer, cultural scholar, author, and political activist, and he was revered by some and hated by others for his beliefs and activism.
“The ‘Paul Robeson’ show has been an evolving vision of mine for many years, and facets of the ‘Show’ have taken shape in venues throughout my career,” said Beamen.
Tickets for the for the Feb.  22 show at Allen Temple Church, 8501 International Blvd. in Oakland, can purchased at the door or www.allen-temple.org.

Evergreen Gives “Blankets and Blessings” to Homeless

From left to right, back row – Rev. David Moore, Darryl Rice, Larry Teague, Darla Robbins, Rev. Ruffus Robbins, Richard Curtis, Dannetta Robinson, Carol Sanders, Jamal Churchill, Iman Calip; middle row-Joel Dill, Deborah Martin, Regina Alexander, Marilyn Martin, Geneva Bennett, Artis Dawson, Kenneth Breedlove, Cynthia Rowden, Linda Sandiser, Betty Majors, Roy Deale, Susie Patrick; front row-Linda August, Kay Moore, Johnnie Nicks, Georgetta Edwards-Breedlove, First Lady Kathi Pinkard, Christopher Thomas, Rene Hunter-Phillips, Tonya Sellers-Daniels, Brenda Deale, Delores Johnson, Bret Phillips; front kneeling-Maria Bershell, A. Renee Daniels, and Jamilah Jefferson. Photo by Ashley Chambers.

Honoring the legacy of Dr. Martin Luther King, Jr., members of the Care Ministry at Evergreen Missionary Baptist Church gave away food, blankets, and hot chocolate to the homeless on Jan. 20.
Led by First Lady Kathi Pinkard and coordinators Georgetta Edwards-Breedlove and Christopher Thomas, members accompanied by Officer Kittrell Carter gave out 100 bags of food and 75 blankets.
Several years ago, the Women’s Ministry started the “Blankets and Blessings” drive under the leadership of Lady Pinkard to help those who suffer in the cold.
On Sunday, Feb. 24, the CARE Ministry will be going back out in the community with blankets, socks, beanie caps, food bags, and hot chocolate. Anyone who would like to assist in this effort, please send contributions to Evergreen Missionary Baptist Church Care Ministry, 408 West MacArthur Blvd, Oakland, 94609.

Tenor Man Dayna Stephens to Blow at Benefit

Dayna Stephens

By Lee
Hildebrand

Former East Bay resident Dayna Stephens is, at age 34, one of the most gifted jazz tenor saxophonists of his generation.
Now living in Patterson, New Jersey, he says he “caught the bug” two decades ago from seeing a local performance by tenor titan Joshua Redman. Because Redman and other jazz greats were alumni of Berkeley High School’s celebrated jazz program, Stephens decided to transfer there from Alameda High for his senior year.
“I wanted to be in an environment my last year where there were kids as dedicated to the music as I was,” he explains. He went on to graduate from the Berklee College of Music in Boston and study at the Thelonious Monk Institute of Jazz at the University of Southern California with Herbie Hancock, Wayne Shorter and others.
Stephens, who has performed in New York City with such jazz heavyweights as Kenny Barron, Tom Harrell and John Scofield, returns to Northern California at least twice a year. He’s taught at the Stanford Jazz Workshop every summer for the past nine years, as well as at the University of the Pacific’s Brubeck Institute in Stockton for three.
“His sound is beautiful,” says Brubeck Institute Jazz Quintet tenor saxophonist Tom Kelley, who studied with Stephens two years ago. “He’s an amazing player because he knows exactly what to play and what not to play at any given moment. He never traps his own playing within himself. He always plays what’s best for the music and for the group.”
Stephens was diagnosed two and a half years ago with Focal Segmental Glomerulosclerosis, a rare kidney disease that affects 20 out of every million people. He currently undergoes dialysis four and a half hours a day three times a week.
“If I’m not watching a TV, I’m on my computer doing e-mails and trying to get some business work done,” he says of his time spent hooked up to a dialysis machine..
The saxophonist is in need of a kidney transplant. “Luckily,” he says, “the waiting list in New Jersey is one of the shortest. It’ll be about three to seven years.”
Stephens will take part in a benefit to help cover his medical expenses on Sunday, Feb. 17, beginning at 6:30 p.m., at the Piedmont Piano Company, 1728 San Pablo Ave. in Oakland.
He will be playing with a world-class trio comprising pianist Taylor Eigsti, bassist Harish Raghavan, and drummer Eric Harland. Known for his work with Charles Lloyd, the SFJazz Collective and others, Harland is considered by many to be one of the most creative drummers performing today.
Also on the bill is the Brubeck Institute Jazz Quintet, which helped organize the benefit. More information can be found at www.helpdaynastephens.org.
The saxophonist will be back in the area less than two weeks later to perform with bassist Jeff Denson and pianist Joshua White at 8:30 p.m. on Friday, March 1, at the Jazzschool, 2087 Addison St. in Berkeley.

Rotunda Dance Series at SF City Hall

Last year the Los Lupeños de San José, presented dances from the Veracruz, Michoacan and Jalisco regions of Mexico..

A free public performance of the Rotunda Dance Series will be held at noon, Friday, March 1 at San Francisco City Hall.
The performance is hosted by a partnership between Dancers’ Group and World Arts West with San Francisco’s Grants for the Arts and San Francisco City Hall.
The first performance of the 2013 season will be ODC/Dance in “Transit,” choreographed by ODC Co-Artistic Director KT Nelson. This full company work celebrates the chaotic pulse of our urban centers – where high and low technology exist side-by-side – walking, biking, and high-speed transit.
Dancing with three custom built bicycles by mechanical engineer and artist Max Chen and a restless score by Nico Muhly, “Transit” rides through the shape of a day: a coffee fix, the commute, lunch, and the evening return home.
The high profile Rotunda Dance Series brings many of the Bay Area’s most acclaimed dance companies to San Francisco City Hall’s rotunda space for free noon-time performances taking place the first Friday of each month. Events primarily involve dance, but often also include live music, theater or other performing art disciplines.
The 2013 Rotunda Dance Series will continue on Friday, April 5 with the San Francisco Ballet School Trainee Program, a pre-professional program comprised of students chosen from the School’s most advanced level.

Harris Sues BP and ARCO Over Gas Station Pollution

Attorney General Kamala Harris has filed a civil lawsuit on1 against BP West Coast Products, BP Products North America, Inc. and Atlantic Richfield Company for allegedly violating state laws governing hazardous materials and hazardous waste by failing to properly inspect and maintain underground tanks used to store gasoline for retail sale at more than 780 gas stations in California.
“Safe storage of gasoline is not only common sense, it is essential to protecting the integrity of California’s groundwater resources,” Harris said. “California’s hazardous waste laws safeguard public health, and this lawsuit ensures proper maintenance of the tanks that store fuel beneath California’s communities.”
The complaint, filed Feb. 1 in Alameda County Superior Court, alleges that, since October 2006, the BP companies and ARCO have improperly monitored, inspected and maintained underground storage tanks used to store gasoline for retail sale.
The complaint alleges that the defendants tampered with or disabled leak detection devices, and failed to test secondary containment systems, conduct monthly inspections, train employees in proper protocol, and maintain operational alarm systems, among other violations.
The lawsuit also alleges that the defendants improperly handled and disposed of hazardous wastes and materials associated with the underground storage tanks at retail gas stations throughout the state.
The complaint follows a recent statewide investigation led by Attorney General Harris’s office, which found violations of hazardous materials and hazardous waste laws and regulations at BP gas stations in 37 counties across the state.

Point Richmond Acoustic Presents Claudia Russell

Claudia Russell. Photo by Mindy Pines.

Point Richmond’s resident singer Claudia Russell will bring her eclectic blend of folk, blues and pop to Point Richmond Acoustic, Friday, Feb. 8, at 8 p.m.
Russell will perform with her band, the Folk Unlimited Orchestra, with husband Bruce Kaplan on guitar Tom Tally on viola and violin. The concert is at the First Methodist Church at 201 Martina Ave. in Point Richmond.
Special guest songwriter Monica Pasqual of the popular group Blame Sally opens the show. Tickets are $15. More information is available at www.pointacoustic.org.
Russell is an award-winning singer/songwriter and was named Best Musician in the 2006 East Bay Express Reader’s Poll, Best New Artist by Boston Radio station WUMB and was nominated for Best Song by the Texas Music Awards.
She and her band play an eclectic blend of folk woven from a patchwork of genres to form a unique, compelling sound. With an expressive voice that is as much at home on a whispery ballad as a full-tilt Buddy Holly-styled romp, she sings songs that deal with classic themes in her distinctive, unique way.
Russell has just finished recording a new CD for a spring release, and will be previewing songs from it. But to many fans, it’s her live show where Russell shines the most. Sing Out magazine said, “Claudia Russell is a great performer…She can really sing. And her band – let’s just say they’re hot. Connect them to the power grid and they’d light up a medium-sized town.”
Point Richmond Acoustic is co-sponsored by Point Richmond Music, Folk Unlimited and the First Methodist Church. Visit www.pointcacoustic.org for more information or contact Pt. Richmond Acoustic at folkunlimited@att.net.

Picklewater Clown Cabaret Presents Prescott Circus Fundraiser

The Picklewater Clown Cabaret will host a fundraiser for Prescott Circus Theatre, featuring some of the Bay Area’s finest circus and variety stars and local and international professional circus artists, comedians, and Clown Conservatory alumni, 8 p.m., Monday, Feb. 4 at  NEW Stage Werx Theatre location, 446 Valencia St. in San Francisco.
In an original variety arts show, award winning physical comedians of the Picklewater Clown Cabaret will celebrate their good friends at the Prescott Circus Theatre.
Prescott Circus Theatre is an innovative, youth circus/youth development program for Oakland children and youth. Currently in its 29th year, Prescott is one of the country’s largest and longest running social circus programs dedicated to serving underserved children and their communities.
Each year, over 170 children work with professional artists to develop physical circus skills such as juggling, acrobatics, improvisation, balancing, unicycling, stilting, hip hop dance, hambone body percussion, and clowning.
Training programs are offered free of charge and almost exclusively to low income children. This program is supported by grants, donations, and performance fees. The Oakland Unified School District provides in-kind support.
Tickets are $15, $10 in advance online at http://picklewaterclowncabaret.bpt.me/

Classical Star Performs at East Oakland Leadership Academy

Nokuthula Ngwenyama, on stage at Regents Theater at Holy Names University in Oakland. Photos by Fluhrer/Chin.

East Oakland Leadership Academy students greeted the artists after the performance. From left to right: Miracle Sheperd, Sandra Rivers (pianist), Nokuthula Ngwenyama (violist, violinist), Kris Rivas, Rovijon Davis, and Lizeth Castillo-Simon.

Nokuthula Ngwenyama shares her story with students at East Oakland Leadership Academy.

About 50 middle school students from the East Oakland Leadership Academy had the opportunity last week to hear a performance by classical violinist and violist Nokuthula Ngwenyama, who the L.A. Times called, “A Face to Watch,” hosted by Four Seasons Arts.
Ngwenyama played pieces for the students, discussed the viola and violin and answered questions about her struggle to become an international star.
Born in Los Angeles of Zimbabwean-Japanese parents, Ngwenyama told the students, “I started playing the violin at age 5.  My father was initially opposed to my playing “the white man’s music’. Much later he became supportive.”
A graduate of Curtis Institute and a Fulbright scholar, Ngwenyama earned a Masters in Theology from Harvard University.  She has performed throughout the U.S. and abroad, appeared at the White House, on CBS Sunday Morning, and was featured on the Emmy Award-nominated PBS program Sound of Strings.
She is an advocate for the arts who testified before Congress on behalf of the National Endowment for the Arts.  She served as visiting professor at the University of Notre Dame in 2007 where she lectured on African Music and Music and World Religions.
Four Seasons Arts is bringing Music Share to East Oakland Leadership Academy, a program designed to expose students to classical music, which is strongly supported by the school’s principal Dr. Laura Armstrong.
Besides attending classical concerts and in-school seminars by major performing artists, the young people are participating in classes that make classical music accessible on iPods and other technological devices.
Ngwenyama performed with world renowned pianist Sandra Rivers on the piano, on Jan. 12 at Regents Theatre at Holy Names University in Oakland. Several of the children from the Leadership Academy were the first to greet the artists after the performance.

Oakland Youth Orchestra’s Winter Concert

Oakland Youth Orchestra

The award-winning Oakland Youth Orchestra is opening its season with a winter concert at 3 p.m. Sunday, Jan. 27 at Holy Names University in Oakland.
The free winter concert follows on the heels of the orchestra’s participation in the Bay Area Youth Orchestra Festival, known as the “Bay of Hope,” at 3 p.m. on Sunday, Jan. 20 at Sonoma State University.
Started in 2009, the festival brings together six of the Bay Area’s most prominent youth orchestras for an afternoon of music, with proceeds benefitting charitable organizations serving homeless youth.
The Jan. 20 festival will take place at Green Music Center, Weill Hall, Sonoma State University, Rohnert Park. The Jan. 27 event will take place at Holy Names University, 3500 Mountain Blvd. in Oakland.
For more information visit www.oyo.org.

Guitarist Calvin Keys’ Kinder, Jam Sessions

Guitarist Calvin Keys. Photo by John Goyer.

By Lee
Hildebrand

There are two types of jazz jam sessions: the ones where the host calls out tunes in uncommon keys with difficult chord changes and tempos faster than a speeding bullet, the purpose being to discourage less-experienced players unable to rise to the challenge, and others where the host actually encourages newcomers.
Guitarist Calvin Keys, who co-hosts a jam session of the second, kinder and gentler kind with alto saxophonist Melvin Butts every Monday evening from 7 to 11 p.m.  at the 57thStreet Gallery, located at the corner of Telegraph and 57nd in North Oakland, was fortunate as a teenager in his native Omaha to have cut his jazz teeth at jam sessions led by legendary saxophonist and singer Eddie “Cleanhead” Vinson.
“He played ‘Tune Up’ and called the changes out to me,” Keys, now 70, says of his first encounter with the late musician. “I would be scuffling a couple times around, but eventually I would grab it. Then I’d go home and practice my butt off. I’d go back down the next Sunday, and he’d say, ‘You been practicing?’ I said, ‘Yeah,’ and he’d get up on the bandstand and call a different tune.”
Noted for his work with Ray Charles and Ahmad Jamal and for numerous recordings of his own, Keys first came to Oakland in 1961 with organist Frank Edwards and drummer James Gadson to play Don Barksdale’s Sportsman’s Club. He’s been an Oakland resident since 1974.
Surrounded by white walls filled with realistic color portraits of Miles Davis, Louis Armstrong, Duke Ellington, Ella Fitzgerald, Etta James, Whitney Houston and other jazz and soul greats, the Monday night house band played the first set at a recent jam.
Keys, Butts , pianist Keith Saunders, bassist Michael Jones, and drummer Leon Joyce took turns soloing at length on such numbers as the standard “Sweet and Lovely” played over a “Killer Joe” groove and “Milestones,” the tune Davis recorded in 1947 with Charlie Parker on tenor, not the better-known 1958 Davis song of the same  title.
“This is a watering hole,” Keys said to the 60 or so musicians and fans in attendance before Butts began calling names from a sign-up sheet to the bandstand. Among the many who sat in over the next two-and-a-half hours were saxophonist  Jim Grantham, flugelhornist Justin Smith, flutists Jane Lenor, Art Maxwell, and Nika Ritto, and vocalists Kozi Arrington, Jackie Gage and Daria Nile.
Younger participants included 26-year-old guitarist Eni Pela and drummers Ayinde, 18, and Timothy Angulo, 15.
The Bay Area jazz community may have lost such important contributors as drummer Eddie Marshall, trumpeter Khalil Shaheed and saxophonist Vince Wallace in recent times, but the arrival of pianist Saunders from New York and former Ramsey Lewis drummer Joyce from Chicago has helped replenish the scene, as have up-and-comers Pela, Ayinde and Angulo.
“My intention is to expose the youngsters to this art form that we’ve created over the years,” Keys says. “We’re passing the torch on in a sense.”

Jennifer Holliday to Headline Oakland Concert

Jennifer Holliday

By Lee
Hildebrand

Versatility is one of Jennifer Holliday’s hallmarks. The Riverside, Texas-born, Atlanta-based singer has performed gospel music, R&B, jazz, pop and, of course, songs from the musical theater.
Her 1982 tour de force treatment of “And I Am Telling You I’m Not Going” from the original Broadway production of “Dreamgirls,” in which she starred as Effie White, spent a month at the top of Billboard’s R&B chart and earned the then-22-year-old singer her first of two Grammy Awards. She also won Tony and Drama Desk awards for her role in the musical.
“I think going straight from the church to the theater allowed me to be versatile,” says Holliday, who first appeared on Broadway in 1979 in the gospel musical “Your Arms Too Short to Box with God.”
“I think if I had just gone straight from the church to doing R&B, then maybe I wouldn’t have such a versatile audience. But the theater – everybody loves the theater.”
The singer recently completed recording a CD of jazz standards and R&B love songs, including such numbers as “More Than You Know,” “The Look of Love” and “Nobody Does It Better.”
Unlike some of her earlier recordings – one of which was produced by Michael Jackson, another by Walter Hawkins – she produced the forthcoming CD herself.
“I had always wanted to do this type of album, especially when it became popular again,” she says. “Michael Buble and Rod Stewart and everyone was doing it. I fell in love with the old songs.”
Holliday will headline “In the Name of Love,” the nonprofit Living Jazz organization’s 11th annual tribute to Dr. Martin Luther King Jr., at Oakland’s Paramount Theatre on Saturday, January 19, beginning at 7 p.m. Also on the program are the Bay Area guitar-and-voice duo Tuck and Patti, the Oakland Interfaith Gospel Choir, the Oakland Children’s Community Choir and the Oaktown Jazz Workshops.
The singer first played the Paramount in 1985 in the musical “Sing, Mahalia, Sing.” Although Holliday had been unfamiliar with Mahalia Jackson’s music prior to being hired for the traveling show, she managed to tone down her own contralto-to-soprano pyrotechnics in order to adapt to Jackson’s style.
While Holliday was growing up in Houston’s Third Ward, singing in church and in a community choir that included future gospel star Yolanda Adams, Aretha Franklin was her vocal role model. “She was just everything to music as far as I was concerned, so I tried to sound like her a lot in church,” Holliday says of the Detroit diva. “Just all of the magic that she has, her voice and the power, I used to try to do all of that. She was the main one.”
Ledisi is Holliday’s current favorite. “Going into the rest of the 21st Century, I think that she will have the voice and the sound of all time,” Holliday says of the Oakland soul and jazz singer. “She’s still growing and maturing. She has so much range and versatility. She can do it all.”

Oakland Honors Gladys Green at “In the Name of Love” Concert

Gladys Green

CBS Channel 5 Anchor Dana King will present the City of Oakland Citizen Humanitarian Award to Gladys Green for her outstanding work on behalf of the Oakland community at the “In the Name of Love” Musical Tribute honoring Dr. Martin Luther King, Jr., Jan. 19, 7 p.m., at the Paramount Theatre in Oakland.
The 11th annual musical celebration will offer an extensive civic and cultural program that pays homage through music, to one of the greatest humanitarians of our time. The 2013 musical entertainment includes Grammy Award winner Jennifer Holliday; internationally known guitar and vocal duo Tuck & Patti; the 65-voice Oakland Interfaith Gospel Choir; and the 275-voice Oakland Children’s Community Choir backed up by the Oaktown Jazz Workshops.  Nikki Thomas, KBLX, will serve as emcee.
Gladys Green is the Chairperson of the Alameda County – Oakland Community Action Partnership (AC-OCAP) Board, whose mission is to eliminate poverty and its effect on the City of Oakland and throughout Alameda County.
She has served as president of the Elmhurst District Board for 15 years; the Alameda County – Oakland Community Action Partnership Board for 22 years; the Oakland Business Development Corporation for 15 years; and received the Community Service Award for Hunger Relief due to her weekly commitment to help her local church distribute food baskets to those in need.
Living Jazz, an Oakland based non-profit and producers of the MLK Tribute, originally created the humanitarian award to acknowledge those who give of themselves beyond the call of duty and to inspire others to work for the betterment of the community.
Reserved seating is $15 – $45; children 12 and under $8. Tickets are available at www.ticketmaster.com or 1-800-745-3000  or the Paramount Theatre Box Office. For more info:  http://www.mlktribute.com

Marva Whitney, 68, Singer in James Brown Revue

Marva Whitney

Marva Whitney, a fiery-voiced funk singer who toured and collaborated with James Brown — along the way earning the nickname “Soul Sister #1” — died Saturday at 68,
Whitney died from complications of pneumonia.
She is best known for her version of “It’s My Thing,” which cracked the Hot 100 in 1969, and for the widely sampled track “Unwind Yourself,” which can be heard on songs by The 45 Kings, DJ Kool and Mac Miller, among others.
Born Marva Ann Manning, the singer began her career singing gospel music in Kansas City, Mo., but found fame when she reluctantly joined the James Brown Revue in 1967 after turning down singing jobs with Bobby Bland and Little Richard.
“There was nothing here in Kansas City, so I had to make a decision at that age,” she said in a 2006 interview on We Funk Radio. “I knew this wasn’t what I wanted, because I was still playing for the church. But I made the decision and went to Cincinnati and signed with King Records.”
On tour with the Revue, Whitney performed in Vietnam, Europe and North Africa during the next couple of years. Along the way, Whitney cut several “raw funk” songs under Brown’s direction, including “Unwind Yourself” and “I’m Tired, I’m Tired, I’m Tired.” But none broke through with audiences until “It’s My Thing,” her take on the Isley Brothers’ “It’s Your Thing.” The song was a hit on the R&B charts.
During her tenure in the Revue, Whitney was dubbed “Soul Sister #1” to Brown’s “Soul Brother #1” title. Other “Original Funky Divas” in Brown’s group over the years included Vicki Anderson, who Whitney replaced, and Lyn Collins, who died in 2005.
“I used to be embarrassed being called Soul Sister #1” she said, noting that it took many years to accept that the title “did not mean that I was stepping on Aretha Franklin’s toes … because I always counted her as Soul Sister # 1.”
She left Brown’s Revue in 1969 and headed back to Kansas City. Her recording career continued — though, as before, radio and sales of singles like “Daddy Don’t Know About Sugar Bear” and “Giving Up on Love” were disappointing.
A break from the music business followed and by the late 1980s Whitney returned to performing sporadically with fellow James Brown Revue alumni, in a group called the JB Allstars.
In 2009, Whitney suffered a stroke on stage during a show in Australia but recovered and performed again 2010.

Blues Great Jimmy McCracklin, 91

Jimmy McCracklin

By Lee
Hildebrand

The blues community is mourning the passing of bluesman Jimmy McCracklin, who diedThursday, Dec. 20, at Creekside Health Center in San Pablo. The prolific singer, pianist and songwriter, a longtime Richmond resident, was 91.
“He had a style that was completely his own,” singer-guitarist Sonny Rhodes said of his late friend.  “It was a style that people tried to imitate, but they couldn’t even come close.”
“He was such a persuasive singer in the way he put his lyrics across,” commented Mark Naftalin, a pianist and promoter who had presented McCracklin at the Monterey Jazz Festival and Marin County Blues Festival, among other venues. “He was a real stylist.”
“A song is like a conversation, and sometimes people don’t wanna hear your conversation, but his voice would draw you in,” stated singer-guitarist Joe Louis Walker. “He just really knew how to push the punch line.”
McCracklin’s recording career spanned the years 1945 to 2010 and took him from the Club Savoy in North Richmond to the Apollo Theater in Harlem. He had been recording for over a decade when he scored his first national hit, “The Walk,” in 1958. He performed the song on Dick Clark’s “American Bandstand” that year, making him one of the first African-American artists, if not the first, to appear on the popular program.
His other hits included “Just Got to Know,” “Shame, Shame, Shame,” “Every Night, Every Day,” “Think” and “My Answer,” all of which he composed.  He also wrote “Tramp,” a hit for his friend Lowell Fulson in 1967, again for Otis Redding and Carla Thomas later that year and for the hip-hop trio Salt-N-Pepa in 1987.
McCracklin was born James David Walker on Aug. 13, 1921, in Helena, Arkansas. He moved to St. Louis at age 9 and soon fell under the musical spell of Walter Davis, a friend of his father’s and one of the most popular blues singers, pianists and songwriters of the 1930s. Memphis Slim would become another important influence on McCracklin’s style.
After graduating from high school in St. Louis, he enlisted in the U.S. Navy. Because he was under 18, his mother had to sign for him to join. She had taught him to cook, and he worked in that capacity, as well as took up boxing, while in the service.
Following World War II, he divided his time between singing and boxing in Southern California before moving to Richmond in 1947. From the late ‘40s to the early ‘60s, he frequently recorded for Oakland producer Bob Geddins. During the ‘50s, McCracklin and his band, the Blues Blasters, often toured the country backing up such blues stars as Clarence “Gatemouth” Brown, Percy Mayfield and Joe Turner.
McCracklin was one of the greatest blues songwriters of all time, in a league with such other giants as Mayfield, Willie Dixon and the team of Jerry Leiber and Mike Stoller. His tunes have been recorded by the Beatles, Los Lobos, Steve Miller and numerous others.
“He was so true about everything he wrote,” Rhodes noted. “You could look around and find these things in everyday life”
“He plays good and he sings good – and he writes better,” B.B. King said in “Jimmy Sings the Blues,” a 14-minute Bancroft Library oral history project documentary that can be viewed on YouTube.
“He’s just one of my favorite songwriters,” Bonnie Raitt said in the film.
McCracklin is survived by his daughter Linette Susan McCracklin and several stepchildren and by his grandchildren Jimmy and Sarah Busby. Funeral arrangements are pending.

Berkeley Considers Becoming a No Drone Zone

By Danielle Savage

Berkeley’s Peace and Justice Commission is proposing an ordinance to make the City of Berkeley a No Drone Zone.
The proposed ban is on the agenda for next Tuesday’s City Council meeting. If the ordinance passes, flying of a drone in the airspace of Berkeley will be regarded as a misdemeanor with a maximum sentence of up to one year in jail and a fine of up to $10,000.
Without such an ordinance, “The average citizen will be subject to fourth amendment violations… I don’t trust my government to follow the Constitution,” said commission head Robert Meola.
But City Councilmember Jesse Arreguín of District 4 is not comfortable with a blanket condemnation of drones. “If using drones could assist in identifying serious crimes, to me I don’t have a general opposition to that. [Drones] could be beneficial,” he said.
The Federal Aviation Administration started generating permits for the use of drones in the U.S. in 2006. Congress endorsed the use of domestic unarmed drones earlier this year.
The concerns about domestic drones  tend to focus on infringed privacy. “It needs a lot of discussion,” said City Councilmember Laurie Capitelli of District 5.
“Drone technology now can pick up people’s texts messages [and] they can do facial recognition,” said Arreguín.
However, according to Meola, drones also pose safety problems and are known to go out of control and crash.
Meanwhile, Alameda County is considering purchasing a done.  However, according to Wired.com, plans were delayed a couple of weeks ago due to complaints by civil rights groups who criticized county authorities for “rushing the plan without public input.”
Arreguín argues the Berkeley proposal needs to be rewritten. “The reality is that there may be some specific situations where drones can be used. I think the way it’s written right now is a little bit extreme,” he said.
Meola considers the ordinance an important step “Hopefully it will set a standard for other cities around the country to follow,” he said. I’m hoping it will set a trend to speak out.”

Jazz Legend Dave Brubeck, 91

Dave Brubeck, the pianist and composer.

Dave Brubeck, the pianist and composer who helped make jazz popular again in the 1950s and 1960s with recordings like “Time Out,” the first jazz album to sell a million copies, died Dec. 5 in Norwalk, Conn. He was 91.
Born in Concord, Contra Costa County, he grew up in farm country. His father, Pete, was a cattle buyer for a meat company, and his mother, Elizabeth, was a choir director at the nearby Presbyterian Church.
Drafted to serve in General Patton’s Army during World War II, he formed the Army’s first integrated band.
He later toured with Black musicians in the Jim Crow South at the height of the Civil Rights Movement, insisting on mixed race quartets and integrated crowds. Because of this courageous stand, 23 out of 25 of his shows were cancelled one summer.
“Jazz is the voice of freedom,” he said.
Brubeck later became a leader in the West Coast Cool Jazz scene, putting California on the map. He performed before presidents, prime ministers, premieres and pontiffs. He was named a Jazz Master by the National Endowment of Arts and he was awarded the National Medal of Arts.
His life was commemorated by on the floor of Congress by Congressman John Garamendi (D-Fairfield).

 

Donna Summer Inducted into Rock and Roll Hall of Fame

Donna Summer

(Reuters) – Late disco queen Donna Summer and hip hop pioneers Public Enemy headed a list of eight new inductees into the Rock and Roll Hall of Fame, according to the Rock and Roll Hall of Fame Foundation.
The late blues guitarist Albert King was also inducted into the prestigious Hall of Fame, which pays homage to people who have influenced the music industry.
“We are thrilled to announce this year’s class of inductees, which again represents the broad, compelling and significant definition of rock and roll,” said Joel Peresman, president and chief executive of the organization,.
The  musicians will be officially inducted at a ceremony in April in Los Angeles.
‘Queen of Disco’ Summer, who died in May at the age of 63, rose to fame in 1976 with the disco hit “Love to Love You Baby.” She had three number one hits in 1979 with “Hot Stuff,” “Bad Girls” and “No More Tears (Enough Is Enough),” a duet with Barbara Streisand.
Although Public Enemy, formed by artists Chuck D, Flavor Flav, Professor Griff and DJ Lord, never topped the charts during their three-decade career, the group is known for giving hip hop a political and social conscience in the 1980s and early 1990s.
They explored American race relations with songs such as “Fight the Power” and “911 Is a Joke.”
King, who died in 1992 at age 69, was a towering figure in American blues guitar, with hits such as “Don’t Throw Your Love on Me So Strong” in 1961 and “Born Under a Bad Sign” in 1967.
The inductees were chosen by some 500 voters of the Rock and Roll Hall of Fame Foundation, which includes past inductees, and for the first time this year fans were also allowed to vote. Candidates for the Cleveland-based Hall of Fame must have released their debut album or single at least 25 years before 2012 to be eligible.

Emperess Hall and Majesty Scott Present Royal Toe-Tapping Gospel Gems on Temple Hill for Christmas

Majesty Scott

Emperess hall

During the month of December, Oakland’s Mormon Temple Hill will host many Bay Area faith traditions.
The Voices of the Miraculous music ensemble will perform African-American toe-tapping gospel gems on Dec. 22, directed by Emperess Hall with lead vocalist, Majesty Scott at 7 p.m., with a repeat program at 8 p.m.
The next night is Grand Piano Night, featuring six talented pianists sharing two grand pianos and delivering a vibrant and entertaining concert.
The spectacular Blackhawk Chorus, which recently returned from a European tour, will perform on Dec.  9.   There will be a Handel’s MESSIAH Sing-Along at 7 p.m. on Dec. 15 and a MESSIAH concert at 7 p.m. on Dec. 16, conducted by Jay Trottier.  A world famous Rotarian, Richard King, will perform a lighthearted Christmas Cabaret on Dec. 20.
At these free events, the public will see the thousands of lights now illuminating the landscape, waterway and Temple Hill buildings at 4770 Lincoln Ave.
Volunteers from the Church of Jesus Christ of Latter-day Saints donate time to participate in the nightly live nativity, and they helped install the lights and decorations.
Special free events and programs are planned each evening now through Dec. 30, featuring world-class singers, dancers, bell ringers, instrumentalist, and even a professional storyteller.  For more information visit www.templehillevents.com or call (510) 531-1475.
The Visitors’ Center is open every day of the year from 9 a.m. to 9 p.m.

A Knight of Whispers and Excitement

The Whispers

Nick Caldwell of The Whispers holding The Post. Photo by George Livingston.

Scotty & Leaveil of The Whispers taken at The Hollywood Greek Theater in 1983. Photo by George Livingston Jr., then Post Newspaper Entertainment Assistant Editor.

Gladys Knight

By George and
Linda Livingston

The Paramount Theater recently was filled with two legends gracing the stage. The Whispers and Gladys Knight had the crowd entertained with classic tunes that mostly have not been on the music charts in 30 years.
The Whispers, who the Bay Area has embraced as a local group, has obtained international status with hits such as: “Rock Steady,” “The Beat Goes On,” “Do They Turn You On” and a couple unfamiliar tunes that the groups perform in a style that is a crowd pleaser.
The Whispers were a five-man group that has been reduced to four for nearly 20 years due to the passing of Marcus Hutson.
The vocals of twin brothers Walter and Wallace Scott, Nicholas Caldwell and Leveil Degree after 40 plus years still give the audience a thrill.
The band is directed by the Bay Area’s Grady Wilkins on keyboards and another keyboardist Dwayne Sweet, with comic antics with James Brown leg splits that bring the crowd to uproar.
With no introduction, Gladys Knight appeared on stage with a beaming smile, looking graceful and current as any of the artists who blaze the music charts today.
Knight conveyed an appreciation to the audience for supporting her for many years  and her recent appearance on “Dancing With the Stars.”
She performed classics hits: “Neither One of Us” and “Heard It Through the Grapevine.” She still has the voice to give the fans what they have remembered from her early days in a career that has spanned over 50 years.
A highlight to the evening was an appearance by former backup singer, a member of the group, Gladys Knight and the Pips, Merald “Bubba” Knight, Gladys’ older brother who came on stage to perform a comic rendition of Al Green hit “Love and Happiness” that had the audience in stitches from laughter.
The Nov. 16 show concluded with Knight singing her classic “Midnight Train to Georgia.” Currently,  she can be seen on BET’s “Apollo Live!”

“In the Name of Love” Concert Honors MLK

The 11th annual tribute honoring Dr. Martin Luther King, Jr.  will be held at 7 p.m., Saturday, Jan. 19, 2013 at the Paramount Theatre in Oakland,
The program will feature Jennifer Holliday; Tuck and Patti, renowned guitar and vocal duo; the Oakland Interfaith Gospel Choir, directed by Terrance Kelly; and the Oaktown Jazz Workshops.
Tickets are $15-$45; Children 12 & under are $8. For tickets go to www.ticketmaster.com or call 1-800-745 3000 or go to the Paramount Theatre Box Office, 2025 Broadway in Oakland.

Maestro Gustavo Dudamel Captivates Bay Area

Gustavo Dudamel (left) and Marta Lledo.

Gustavo Dudamel. Photo by Tristram Kenton.

By Conway
Jones

Much has been said about Gustavo Dudamel, the 31-year-old Venezuelan who ranks among the world’s top orchestral conductors.  Undoubtedly, more will be spoken about him as he continues his meteoric rise.
Dudamel completed a four-day residency with Cal Performances on the UC Berkeley campus conducting the Simón Bolívar Symphony Orchestra of Venezuela in two concert performances this past Thursday and Friday evenings.
He began his residency by leading a Masters Class with UC Berkeley’s Symphony Orchestra. The maestro also gave an hour-long daytime performance for K-12 students at Zellerbach Hall.
Members of the Simón Bolívar Symphony Orchestra also held music workshops for students at schools and music programs in the Bay Area.
Dudamel is the most famous exemplar of “El Sistema” (The System), Venezuela’s unique “music for the people” education program that spawned him and about 250,000 other musicians.
The program, officially known as the National System of Children and Youth, was founded in 1975 by composer/economist José Antonio Abreu.
Dudamel’s presence on the podium is riveting – dynamic, poetic in his movements, the energy and presence of a rock star, and balletic poise. He puts his heart, mind and soul into communicating with his musicians.
There is more to the man than just his music however. He has an inner self that give rise to his genius. His inner self is defined by his humanity, his love and caring for his fellow man. He understands the dignity and value of every person’s capacity for self- realization.
This is what really defines Dudamel’s greatness – his love and appreciation of the spirit that dwells within each of us. He sees this,   and he touches each of us  with his music.
Marta Lledo, a classical pianist from Argentina, says about Dudamel, “Mr. Dudamel and the Simón Bolívar Symphony Orchestra made magic on stage. The maestro brought a tremendous energy, transporting the orchestra and audience to a different level.
“His interpretation of Benzecry or Villa-Lobos was impeccable. His Estevez (Cantanta Criolla with the tenor Idwer Alvarez and baritone Gaspar Moleiro) had the correct feel of Latin American culture music, and the Simon Bolivar Symphony gave us an exact interpretation as the piece demands.”
Dudamel’s lifelong passion is his commitment to music as an engine for social change.
Bravo!

Chanté Moore Sings for Pink Access Foundation

Chanté Moore

R&B vocalist Chanté Moore will sing Monday, Dec. 3 at Pink Access Foundation’s “Pink Access and Lavender Live Too Winter Wonderland and Survivors Celebration” in the Meritage at the Claremont Hotel.
Moore will be the featured musical guest at the fourth annual event, which is a fundraiser for organizations such as Carrie’s Touch that helps cancer survivors in disadvantaged communities.
Another highlight of the gala will be the sneak peak of Pink Access Foundation’s documentary “Our Journey”, which chronicles Team Pink Access’ participation in this year’s Oakland-based Women Cancer Resource Center Swim-A-Mile for Cancer.
“I’m really looking forward to returning to the Bay Area to perform especially for such a wonderful cause,” said Moore.
Born in San Francisco, Moore grew up singing in the church before being discovered and launching her career as an R&B singer. Her hit songs include s “Love’s Taken Over,” “It’s Alright,” and “Contagious,” featuring Ronald Isley.
The event will begin at 6 p.m. at the Claremont Hotel, 41 Tunnel Rd. in Berkeley. For more information on the Pink Access Foundation, go to www.pinkaccessfoundation.org and on Face Book @pinkaccesslavendertoolive

Marlena Shaw Delivers an Eclectic Sound

Marlena Shaw. Photo by Alan Mercer.

By Lee
Hildebrand

The title of Marlena Shaw’s debut album, “Out of Different Bags,” released in 1967 by Chess Records, proved prophetic. Throughout her long career, she’s been tagged with various stylistic bags: soul, jazz, even disco.
“I just consider myself a singer,” Shaw, 70, says by phone from Las Vegas, her home for the past 41 years.
Gospel music is the foundation of her vocal approach. She grew up singing and playing piano at Union Baptist Church in New Rochelle, New York, where her childhood friend Richard Roundtree was a also a member.
Later, during the 1970s, she recorded two gospel songs — “No Hidin’ Place” and “The Lord Giveth and the Lord Taketh Away” – on a couple of her albums. The only instrumental support to her vocals was her own pumping gospel piano.
Shaw does not play piano in her live performances, however, although she says she might if she didn’t have “fake fingernails.”
“On one of those records,” she explains, “you can hear my fingernails clicking. I told somebody, ‘I should get two monies ‘cause I’m playing piano and percussion.’”
Gospel music continues to inform Shaw’s singing. “I am very spiritual,” she says. “I know that my Redeemer lives.  Everything about my music, to me anyway, is because of the gospel. A lot of people say they hear a jazz style, but I was accused of having too much jazz in me when I was playing for the church.”
From 1968 to 1973, Shaw toured with the Count Basie Orchestra. She says Basie asked her to record with the band, but that Chess, to whom she was under contract, blocked it.
“They didn’t even want me to be associated with the word ‘jazz,’ she recalls. “How shortsighted was that?”
Shaw became more firmly identified with jazz after producer George Butler (the late brother of noted Oakland pianist and composer Jacqueline Hairston) signed her to Blue Note Records in 1972. Blue Note label-mate Horace Silver advised her on how to protect her songwriting and publishing rights.
In recent years, Shaw was been collecting royalties for her 1969 Chess recording of the Ashford and Simpson song “California Soul,” which has been sampled by hip-hop artists including Gang Starr and DJ Shadow and used in television commercials and a video game.
Her hits over the years include a vocal rendition of Cannonball Adderley’s “Mercy, Mercy, Mercy” (Larry Williams and Johnny “Guitar” Watson had a 1concurrent hit with a version of the tune that had entirely different lyrics) and the Carole King-Gerry Goffin ballad “Go Away, Little Boy.” Shaw’s arrangement of the song, originally a hit for Steve Lawrence as “Go Away, Little Girl,” sports a saucy, humor-laced monologue that has long been a highlight of her shows.
Shaw will perform Thursday, Nov. 29, through Sunday, Dec. 2, at the Raazz Room, 222 Mason St. in San Francisco, with three of the Bay Area’s finest jazz musicians – pianist Glen Pearson, bassist Jeff Chambers and drummer Leon Joyce, Jr. – providing accompaniment.

San Leandro Students Perform Nutcracker Ballet

The San Leandro Public Library will host the city’s conservatory of ballet performing excerpts from the “Nutcracker Ballet” on Saturday, Dec. 15, from 2 p.m. to 3 p.m.
The student showcase will display the talents of the conservatory’s students, who range from 10-years-old to adults.
The showcase will be held in the San Leandro Main Library’s Carnegie Lecture Hall and Theater at 300 Estudillo Ave. in downtown San Leandro. Admission is free.
The Conservatory of Classical Ballet was founded in 2001 by Director Ann Fisher, who was a director of the Berkeley Ballet Theater and also danced for the Oakland Ballet Company. Her students have gone on to have professional careers as dancers, teachers and company directors.
For more information, call the Library’s information desk at (510) 577-3971.

Hawaiian Holiday Celebration, Dec. 1

Hawaiian slack-key guitarist Patrick Landeza grew up in Berkeley. Photo: Kelvin Rama.

Slack key guitarist Patrick Landeza will start off the holiday season at the 11th Annual Hawaiian Holiday Celebration, which will be held Saturday, Dec. 1, from 6:30 p.m. to 8:30 p.m. at the San Leandro Main Library, l300 Estudillo Ave. in San Leandro.
NÃ HÕKÚ Hanohano, award-finalist and Hawaiian music award-winner Patrick Kahakauwila Kamaholelani Landeza, was born and raised in Berkeley to Hawaii-born parents.
His heritage continues to be revealed through his music and stories, including his CD titled “Kama‘alua,” “to get acquainted with,” which will be sold for $15 at this event.
Landeza made his debut at Carnegie Hall in January as one of eight artists in a “Listen for Life” non-profit concert that promoted music as a unifying force for world peace.
The holiday event will feature Hawaiian crafts booths and a Hawaiian dinner sold before the show that includes Patrick Landeza’s tranquil music and a performance of hula dancing.
Advanced tickets are $15 and can be purchased at the information desk at the San Leandro Main Library, starting Nov. 1. Tickets will be sold at the door for $17, free for children 5 and under.
For information call  (510) 577-3971.

Public Invited to SF Ethnic Dance Festival Auditions

Te Mana O Te Ra, performed by Sarah Padrones. Photo by RJ Muna.

More than 100 Northern California dance companies representing dance traditions from around the world will perform hoping for a spot in the 2013 San Francisco Ethnic Dance Festival during auditions scheduled for Jan. 12 and 13 at Zellerbach Hall in Berkeley, and Jan. 19 and 20 at Lam Research Theater at Yerba Buena Center for the Arts in San Francisco.
Artists will present their very best work, in full costume, and many with live musical accompaniment. The auditions offer a rare opportunity for the public to enjoy dynamic classical Indian dances, trick and fancy rope dances from the American Southwest, enchanting Middle Eastern dances, sizzling Spanish flamenco, percussive Mexican folkloric dances, hip-hop, and much more.
Admission is $10 a day, cash at the door, with children 12 and under admitted free of charge, courtesy of Wells Fargo Bank.
The 2013 San Francisco Ethnic Dance Festival will be held June 1-30 at the Lam Theater at Yerba Buena Center for the Arts and other venues in San Francisco to be announced.
For a complete listing of all companies participating in the auditions and for more information, visit www.worldartswest.org or call (415) 474-3914.

Allen Lee Weathersby, Jr., 64

Allen Lee Weathersby, Jr.

Allen Lee Weathersby, Jr., born May 16, 1948, passed away on Oct. 31. He was a military veteran who retired from Todd Shipyard.
He will be missed by his daughter Ayanna Weathersby, family and friends.
Funeral services were held at Evangelistic Outreach Center, 1743 Foothill Blvd. in Oakland on Wednesday, Nov. 14.

Singer Charlene Moore’s Birthday Celebration at 57th Street Gallery

Charlene Moore

By Camryn
Crump

Bay Area gospel musician, singer and songwriter Charlene Moore celebrated her 61rst birthday on Friday, Nov. 2 by treating family, friends and fans to a night of her sultry, soulful storytelling voice and skilled piano playing.
Appearing at Floyd Pellom’s 57th Street Gallery in Oakland, Moore quickly had the crowd, hand clapping, foot stomping and snapping their fingers. Appearing with her was special singing guest Derrick Hughes.
“Singing songs that are relatable and a testimony is what I do, especially songs that remind people where we’ve come from,” said Moore.
At an early age, Moore was supported in her career by her parents Rev. Charlie Moore and gospel singer Darlene Moore.
Influenced by gospel singer Aretha Franklin and Gladys Knight, Moore’s voice may remind listeners of the early days when soul music was performed by real singers.
Moore performed overseas as the headliner of Café Dolphin in Yokohama, Japan for a record breaking three months and was also the featured performer in a tribute to Michael Bolton though the National Association of Black Female Executives in Music and Entertainment.
She has made commercials for Dodge and the Nissan Murano and successfully played on many stages, including New York City’s Apollo Theater where she was musical director of the “Weather Girls/Two Tons of Fun.”
Most recently, she was a backup vocalist for Patti LaBelle, Michael McDonald and disco queen Jocelyn Brown.
But Moore is still looking forward to continuing something she and her mother, Missionary Darlene Moore, started years ago – singing together as a mother-daughter team.
Currently Moore is a musician for the Living Springs Christian Fellowship, Rev. John Adams; and the minister of music at City of Refuge United Church of Christ, Bishop Yvette Flunder.

Quinn Deveaux Goes Ultra-Retro R&B

Quinn DeVeaux

By Lee
Hildebrand

Some might call Quinn DeVeaux’s music retro R&B, but ultra-retro is more like it.
Born 36 years ago in Gary, Indiana, and based in the East Bay for the past dozen years, the singing guitarist delivers seven rhythm-and-blues songs from the 1950s and ‘60s, plus a couple church songs of earlier origin, on his 2011 CD “Under Covers” with fervent feeling and authenticity that are uncanny for someone of his generation.
The pliancy of and passion in his gritty low-tenor pipes bring early Ray Charles to mind on nearly every number, including oldies by Sam Cooke, Snooks Eglin, Chris Kenner and an especially vibrant treatment of Charles’ shout-tempo-driven “Leave My Woman Alone.” Even his version of Muddy Waters’ “Tiger in Your Tank” betrays the mark of Charles, except when he pronounces the name of the beast in the title more as Waters had – “tie-go.”
He also tackles Fats Domino’s “I’m in Love Again” and the Meters’ “They All Ask’d for You,” on which he localizes the humorous original lyrics with references to the Oakland Zoo and the San Francisco Bay.
DeVeaux came to the blues through the back door, so to speak, 12 years ago after seeing “The Doors,” a 1991 Oliver Stone film about the late ‘60s rock band that featured vocalist Jim Morrison. Besides such original songs as “Light My Fire” and “The End,” the group was famous for its show-stopping rendition of the Howlin’ Wolf blues classic “Back Door Man.”
“I tried to figure out where the Doors got their sound from,” says DeVeaux, who will appear with his band, the Blue Beat Review, on Friday, Nov. 23, at The Independent at 628 Divisadero St. in San Francisco. “I traced the line back. I read some interviews, and they kept talking about different guys, one of them being Muddy Waters.
“I bought this big old blues compilation. It was maybe nine or 12 CDs. It was a lot of music. I narrowed it down to one or two of the CDs that I really liked. It was more the Mississippi stuff like Muddy and John Lee Hooker and Son House.
“Once I heard Muddy Waters, things kinds fell in place for me. I started playing slide guitar and just picking up things here and there. I don’t play slide much anymore, but I’m looking to bring that back on our next record.”
The remarkably versatile South Berkeley resident and his band, which includes a Raeletts-styled female vocal group called the Quinntettes, are currently working on an album of DeVeaux’s original R&B songs. He also has a recent CD of duets with Ethiopian-born, San Francisco-based jazz vocalist Meklit Hadero.
It’s made up mostly of radically rearranged renditions of rock songs by the likes of Arcade Fire, MGMT, Lou Reed, Patti Smith and Talking Heads, but their version of Stevie Wonder’s “I Was Made to Love Her” and a gorgeously harmonized a cappella reading of Cooke’s “Bring It on Home to Me” should find favor with soul music fans.

Celle! and Friends Bring Mardi Gras Spirit to the Bay

Chelle! and Friends, seated left to right: Rhonda Crane, Michelle Jacques; Standing: Donna Viscuso, Bryan Dyer, Eric Swinderman, Bob Scott, Sam Bevan.

By Lee
Hildebrand

“We’re havin’ a great carnival here ‘cause the Giants are slammin’,” vocalist Michelle Jacques, leader of the band Celle! and Friends told the festive crowd at Yerba Buena Gardens in San Francisco while introducing “Down at the Carnival Ball,” an original composition in the tradition of Professor Longhair’s “Mardi Gras in New Orleans.”
Before the free outdoor pre-Halloween concert was over, the septet had some five dozen costumed kids strutting in a procession, many waving handkerchiefs in the air second-line style, to the tune of “When the Saints Go Marching In” as parents either held their hands or snapped photos.
Jacques delivered an exquisite reading of the standard “Do You Know What It Means to Miss New Orleans?,” backed only by bassist Sam Bevan, on the group’s second CD, “Voodooville,” released in 2010.
Born in New Orleans, she relocated to Oakland with her family when she was 5, but her memories of the city’s music never faded.
“Segregation was horrific in New Orleans at that time,” the singer recalls. “My mother really has no love lost because of that. She loves the culture, she love the people, but segregation was really, really horrific. Even I remember the segregation on the buses and stuff like that. That’s why we ended up here.
“My uncle traveled to California, and he told my family about the opportunities here. My mother first came out, and then everybody else started coming out. Katrina helped disperse the rest of the family.”
Although the repertoire includes gospel, folk, blues, and pop songs from around the country, New Orleans music in its many varieties – jazz, R&B, swamp pop, and Mardi Gras Indian music, among them – has been the group’s focus since its inception in early 2005.
Preserving those sounds became an even more urgent mission after Hurricane Katrina stuck the Crescent City later that year.
Jacques, Bryan Dyer, and Rhonda Crane – the septet’s frontline – had previously sung together in Street Sounds, an a cappella group formed in 1989 by Sweet Honey in the Rock founding member Louise Robinson to help promote Oakland’s now-defunct Festival at the Lake.
All three are currently conductors of the Oakland Youth Chorus (of which Dyer is an alumnus) and also teach music to children in a variety of other capacities. With Celle! and Friends, they performed 147 concerts this year alone for the San Francisco Symphony’s Adventures in Music (AIM) school program and in July gave a three-day workshop on New Orleans music for the Stern Grove Festival.
The three singers and their four supporting instrumentalists also do shows for adults, including one scheduled for Saturday, Nov. 17, from 8:30 p.m. to 11 p.m., at Floyd’s Pellom’s 57th Street Gallery, 5701 Telegraph Ave. in Oakland.
“Young people are swayed by rap and by other things,” Jacques says. “They don’t see the beauty in being able to play the traditional music.”
“We have to encourage it,” Dyer interjects.
“That’s why we do what we do,” Jacques adds. “We don’t want it lost.”

Expo Celebrates Launch of Zuggol, New iPhone App

Zuggol founders Isaac Reed (left) and Chris Cruz (right) at their Do Anything Expo on October 13, where they launched their goal-oriented app, which is expected to be in the App store in mid December.

By Ashley
Chambers

With a kickoff that combined a fashion show and live music, Zuggol (pronounced zug-gle) celebrated the beta launch of its goal-oriented iPhone app at its Do Anything Expo on Saturday, Oct. 13.
Sponsored by Lamborghini, Velvety Wine and Fusion Soul SF, the upscale event was held at British Motors in San Francisco,
Based in South San Francisco, Zuggol was founded in January 2011 by San Francisco natives Chris Cruz and Isaac Reed, both 24.
According to its creators, the app is “designed to be an interactive social support system geared to give people an instant fun and rewarding experience while achieving goals.”
“It helps people set goals in six specific fields-business, education, fashion, art, fitness and music,” said co-founder Reed.
“We wanted to have an event that tied into some of those fields by giving feedback on the fashion and musical aspects,” he said.
The fashion show, styled by Holly Jane Cornell and City Style House, featured designs by Gina DiGirolamo with jewelry by Lindsey K. Eisentraut. DiGirolamo, who graduated in 2010 with a degree in fashion design, showcased her eclectic style with a neutral palette of flowy dresses in long and short lengths.
The entertainment included a vocal performance by Anna Lisa Matias, as the app displayed in the background.
Empowering their peers to be proactive in reaching their goals, Zuggol founders wanted to provide a platform to network, be creative and become successful.
Features of the app include status reflections, a motivational feature that allows users to be inspired by others, and a network where users can form a social support group of friends that share the same career aspirations.
“One of the main things in achieving a goal is it’s really hard to stay focused if you’re not in the environment that you want to be in,” said co-founder. “[Zuggol] gives you social support for your goals and gives you a shared network of likeminded people. We’re trying to build a community based on what you want to achieve in life.”
As first-generation college graduates, Cruz and Reed have accomplished a lot and say they want to show others the endless possibilities of living out their dreams.
“I was told it wasn’t possible…but seeing it materialize and having a great team behind you feels really good,” Cruz said. “Believe in yourself; if you really want it, you have to be adamant.”
“We lack transference of wealth and economic support,” Reed said. “I want to provide that for future generations, letting people know that it is possible to start a business and have success.”
The beta-test launch will be released early November with the final app in the App store in mid December. For information, visit www.zuggol.com.

Celebration of Hyers Sisters at MoAD

Hyers Sisters

Susheel Bibbs

Filmmaker Susheel Bibbs will introduce the history making Hyers Sisters to San Francisco audiences in “An Offering in Word and Song:  The Hyers Sisters – Voices for Freedom,” at 2 p.m. on Nov. 4 at the Museum of the African Diaspora in San Francisco.
In 1871 Anna and Emma Hyers of Sacramento became the first African-American women to win nationwide acclaim as operatic touring artists.
Later they became the first to hire African American leading players in landmark musicals told from the African American perspective, the first to create an African-American musical, and the first to integrate casting on the mainstream American music-theater stage.
“Amazing,” said Dr. Bibbs, “ and they did it all in a time of intense oppression and ridicule of Black people.”
In this program Bibbs, who is also an award-winning soprano and author, will tell the Hyers’ story based on her own research and enhanced by musical selections on video, visuals, and her own performance of spirituals in the traditional style.
“The Hyers’ story has a message for today, and I’m honored to make it known,” said Bibbs.
The Museum of the African Diaspora is located at 685 Mission St. in San Francisco Attendance is included in the price of museum admission: $10 general, $5 seniors and students.
For information go to www.mepleasant.com